Sometimes with pop music, you have to see it to love it. With soul music, it's sparse. There's nothing that's pretentious or planned. It's just so gutsy.
AdeleRead
I just want to make music, I don't want people to talk about me. All I've ever wanted to do was sing. I don't want to be a celebrity. I don't want to be in people's faces, you know, constantly on covers of magazine that I haven't even known I'm on.
Interpretation
Adele expresses her desire to create music without the burden of celebrity attention.
In this quote, Adele highlights her passion for music and her desire to remain authentic and true to her art, rather than seeking fame and the spotlight that often accompanies being a public figure. She emphasizes that her primary goal is to sing and create, rather than to be the center of attention or a topic of gossip in the media.
In practice
During a speech at an award ceremony, to emphasize the importance of staying true to art.
Sometimes with pop music, you have to see it to love it. With soul music, it's sparse. There's nothing that's pretentious or planned. It's just so gutsy.
My voice went recently, never happened before, off like a tap. I had to sit in silence for nine days, chalkboard around my neck. Like an old-school mime. Like a kid in the naughty corner. Like a Victorian mute.
I think no matter what you look like, the key is to first of all be happy with yourself. And then you know if you want to try to improve things that you don't like about yourself, then do it after your appreciate yourself.
I'd lose weight if I was an actress and had to play a role where you're supposed to be 40 lbs lighter, but weight has nothing to do with my career. Even when I was signing a contract, most of the industry knew if anyone ever dared say lose weight to me, they wouldn't be working with me.
People are starting to go on about my weight but I'm not going to change my size because they don't like the way I look.
You had my heart inside of your hand but you played it to the beat
Cubism was an attack on the perspective that had been known and used for 500 years. It was the first big, big change. It confused people: they said, 'Things don't look like that!'
As a writer you're holding a dog. You let the dog run about. But you finally can pull him back. Finally, I'm in control. But the great excitement is to see what happens if you let the whole thing go. And the dog or the character really runs about, bites everyone in sight, jumps up trees, falls into lakes, gets wet, and you let that happen. That's the excitement of writing plays-to allow the thing to be free but still hold the final leash.
If you're performing music that is not who you are or where you're at, it is painful. It's painful for the performer and for the audience.
Some might think that the creativity, imagination, and flights of fancy that give my life meaning are insanity.
We figured the audience would want good stories, great art, wonderful characters, people you could fall in love with that we would immediately put through hell.
The moment we cry in a film is not when things are sad but when they turn out to be more beautiful than we expected them to be.
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