We had a happy marriage because we were together all the time. We were friends as well as husband and wife. We just had a good time.
Julia ChildRead
Never apologize for your cooking.
Interpretation
Embrace your culinary creativity without regret.
This quote by Julia Child encourages individuals to take pride in their cooking skills, regardless of their level of expertise. It suggests that cooking is an art form that reflects personal expression, and that one should enjoy the process rather than fear judgment from others.
In practice
During a cooking class, to encourage students to be bold in their culinary experiments.
We had a happy marriage because we were together all the time. We were friends as well as husband and wife. We just had a good time.
The egg can be your best friend if you just give it the right break
I always give my bird a generous butter massage before I put it in the oven. Why? Because I think the chicken likes it -- and, more important, I like to give it.
Upon reflection, I decided I had three main weaknesses: I was confused (evidenced by a lack of facts, an inability to coordinate my thoughts, and an inability to verbalize my ideas); I had a lack of confidence, which cause me to back down from forcefully stated positions; and I was overly emotional at the expense of careful, 'scientific' though. I was thirty-seven years old and still discovering who I was.
The best way to execute French cooking is to get good and loaded and whack the hell out of a chicken.
Wine is one of the agreeable and essential ingredients of life
Music represents nature. Nature represents life. Jazz represents nature. Jazz is life.
Great art picks up where nature ends.
What can art really do in the face of atrocity?
Perceptions are portraits, not photographs, and their form reveals the artistβs hand every bit as much as it reflects the things portrayed
It is a peculiar part of the good photographer's adventure to know where luck is most likely to lie in the stream, to hook it, and to bring it in without unfair play and without too much subduing it.
Because every book of art, be it a poem or a cupola, is understandably a self-portrait of its author, we won't strain ourselves too hard trying to distinguish between the author's persona and the poem's lyrical hero. As a rule, such distinctions are quite meaningless, if only because a lyrical hero is invariably an author's self-projection.
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