When a documentary filmmaker, working in the style that I do, suggests that there has been a shooting ratio of 40 hours to every one hour of finished film, that doesn't mean that the other 39 are bad.
Ken BurnsRead
I never, ever want to apologize for a film. If it's bad I'll say it's my fault. And that's what I can say so far in all the films that I've done, that if you don't like it, it's entirely my fault.
Interpretation
The quote emphasizes personal accountability and ownership in the creative process.
Ken Burns expresses his commitment to artistic integrity and personal responsibility in filmmaking. He asserts that he will not shy away from taking full responsibility for the films he creates, whether they are well-received or not, highlighting the importance of owning one's creative work.
In practice
In a discussion about creative processes, one might use this quote to highlight the value of accountability.
When a documentary filmmaker, working in the style that I do, suggests that there has been a shooting ratio of 40 hours to every one hour of finished film, that doesn't mean that the other 39 are bad.
I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content.
Good history is a question of survival. Without any past, we will deprive ourselves of the defining impression of our being.
It is the great arrogance of the present to forget the intelligence of the past
In most films music is brought in at the end, after the picture is more or less locked, to amplify the emotions the filmmaker wants you to feel.
Jazz is a very accurate, curiously accurate accompaniment to 20th century America.
Music is enough for a lifetime - but a lifetime is not enough for music.
I don't want to imitate life in movies; I want to represent it. And in that representation, you use the colors you feel, and sometimes they are fake colors. But always it's to show one emotion.
There's a half-conscious state you enter when you're actually generating prose, and you are simply a better writer in that place. In fact it's the only place where you even are a writer.
If you know exactly what you're going to do, what's the good in doing _x000D_ it?
American pictures usually have no subject, only a story. A pretty woman is not a subject. Julia Roberts doing this and that is not a subject.
Every time I write these words they become a taboo,_x000D_ _x000D_ Making sure my punctuation curve, every letter here's true,_x000D_ _x000D_ Living my life in the margin, and that metaphor was proof.
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