As a viewer, the minute I start getting confused, I check out of the movie. Emotionally, I'm severed.
Quentin TarantinoRead
One of the privileges you have of living the life of an artist and creating your own world and everything is the fact that, in-between times, you can kind of spend them however you want. Because, you know, once you open up your candy store again, you're open for business. And you have to be responsible. You have to be available.
Interpretation
Artists have the freedom to shape their own lives and work but must also be responsible for their creations.
This quote emphasizes the unique privilege artists have in crafting their own realities and narratives. Tarantino highlights the balance between creative freedom and personal responsibility, suggesting that while artists can enjoy periods of exploration and reflection, they ultimately must return to their responsibilities when it’s time to present their work to the world.
In practice
This quote could be used in an art class to inspire students about the balance of creativity and responsibility.
As a viewer, the minute I start getting confused, I check out of the movie. Emotionally, I'm severed.
Something stopped me in school a little bit. Anything that I'm not interested in, I can't even feign interest.
To me, Godard did to movies what Bob Dylan did to music: they both revolutionized their forms.
A writer should have this little voice inside of you saying, Tell the truth. Reveal a few secrets here.
To call Clive Barker a 'horror novelist' would be like calling the Beatles a 'garage band'... He is the great imaginer of our time. He knows not only our greatest fears, but also what delights us, what turns us on, and what is truly holy in the world. Haunting, bizarre, beautiful.
As a writer, I demand the right to write any character in the world that I want to write. I demand the right to be them, I demand the right to think them and I demand the right to tell the truth as I see they are.
The creation of a work of art, like an act of love, is our one small 'yes' at the center of a vast 'no.'
My method of getting a play across the footlights is like a revolver shooting: every line has a bullet in it and comes with an explosion.
Acting is largely about putting on masks, and music is about removing them.
Miraculously, smoke curled out of his own mouth, his nose, his ears, his eyes, as if his soul had been extinguished within his lungs at the very moment the sweet pumpkin gave up its incensed ghost.
I'm singing what I want to sing based on the emotion of what that day feels like. That's what comes out of my mouth and guitar. That impacts people. They know anything can happen.
Only the free-wheeling artist-explorer, non-academic, scientist-philosopher, mechanic, economist-poet who has never waited for patron-starting and accrediting of his co-ordinate capabilities holds the prime initiative today.
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