Balm of the summer night, balm of the ordinary, imperial joy and sorrow of human existence, the dreamed as well as the lived— what could be dearer than this, given the closeness of death?
Louise GluckRead
I caution you as I was never cautioned: You will never let go, you will never be satiated. You will be damaged and scarred, you will continue to hunger. Your body will age, you will continue to need. You will want the earth, then more of the earth-- Sublime, indifferent, it is present, it will not respond. It is encompassing, it will not minister. Meaning, it will feed you, it will ravish you. It will not keep you alive.
Interpretation
This quote reflects on the human condition and our insatiable desires despite the indifference of the world.
Louise Gluck's quote highlights the inherent struggles of existence, emphasizing that no matter how much we seek to fulfill our desires or satiate our needs, there will always be a lingering hunger within us. It poignantly addresses the conflict between our material desires and the indifferent nature of the universe, suggesting that while the world can provide momentary satisfaction, it ultimately cannot fulfill our deeper existential needs.
In practice
In a philosophical discussion on the human experience and desire.
Balm of the summer night, balm of the ordinary, imperial joy and sorrow of human existence, the dreamed as well as the lived— what could be dearer than this, given the closeness of death?
I pretended indifference…even in the presence of love, in the presence of hunger. And the more deeply I felt, the less able I was to respond.
The Red Poppy The great thing is not having a mind. Feelings: oh, I have those; they govern me. I have a lord in heaven called the sun, and open for him, showing him the fire of my own heart, fire like his presence. What could such glory be if not a heart? Oh my brothers and sisters, were you like me once, long ago, before you were human? Did you permit yourselves to open once, who would never open again? Because in truth I am speaking now the way you do. I speak because I am shattered.
He takes her in his arms He wants to say I love you, nothing can hurt you But he thinks this is a lie, so he says in the end You're dead, nothing can hurt you which seems to him a more promising beginning, more true.
Toward his critics, the artist harbors a defensive ace: knowledge that the future will erase the present.
I preferred the simplest vocabulary.
This is one of the most effective adaptations of racism over time - that we can think of racism as only something that individuals either are or are not 'doing.'
You cannot step into the same river twice.
The good of the people is the greatest law.
I have listened _x000D_ And I have looked _x000D_ With open eyes. _x000D_ I have poured my soul _x000D_ Into the world _x000D_ Seeking the unknown _x000D_ Within the known. _x000D_ And I sing out loud _x000D_ In amazement.
Concerned to reconstruct past ideas, historians must approach the generation that held them as the anthropologist approaches an alien culture. They must, that is, be prepared at the start to find that natives speak a different language and map experience into different categories from those they themselves bring from home. And they must take as their object the discovery of those categories and the assimilation of the corresponding language.
There must be something beyond slaughter and barbarism to support the existence of mankind and we must all help search for it.
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