It is in books, poems, paintings which often give us the confidence to take seriously feelings in ourselves that we might otherwise never have thought to acknowledge.
Alain De BottonRead
Objectively good spaces to work rarely end up being so; in their faultlessness, quiet and well-equipped studios have a habit of rendering the fear of failure overwhelming. Original thoughts are like shy animals. We sometimes have to look the other way - towards a busy street or terminal - before they run out of their burrows.
Interpretation
Perfect workspaces can stifle creativity and induce fear of failure.
Alain De Botton suggests that while ideal work environments might seem beneficial, they can unintentionally create pressure that inhibits originality. He likens original ideas to shy animals, which require an unguarded moment or distraction to emerge from hiding, highlighting the need for a less intimidating atmosphere to foster creativity.
In practice
During a motivational speech about fostering innovation in the workplace.
It is in books, poems, paintings which often give us the confidence to take seriously feelings in ourselves that we might otherwise never have thought to acknowledge.
Taking architecture seriously therefore makes some singular and strenuous demands upon us...It means conceding that we are inconveniently vulnerable to the colour of our wallpaper and that our sense of purpose may be derailed by an unfortunate bedspread
The more closely we analyze what we consider 'sexy,' the more clearly we will understand that eroticism is the feeling of excitement we experience at finding another human being who shares our values and our sense of the meaning of existence.
Good books put a finger on emotions that are deeply our own - but that we could never have described on our own.
The challenge of modern relationships: how to prove more interesting than the other's smartphone.
It is the most ambitious and driven among us who are the most sorely in need of having our reckless hopes dampened through immersive dousings in the darkness which religions have explored. This is a particular priority for secular Americans, perhaps the most anxious and disappointed people on earth, for their nation infuses them with the most extreme hopes about what they may be able to achieve in their working lives and relationships.
You can't study the darkness by flooding it with light.
What's needed in this case is conscious and serious practice in hearing, and using, and being used by, other people's voices.
I have no talents. But I do have hope. And wonder. And love. Maybe those are talents?
One learns more from listening than speaking. And both the wind and the people who continue to live close to nature still have much to tell us which we cannot hear within university walls.
With a little time, and a little more insight, we begin to see both ourselves and our enemies in humbler profiles. We are not really as innocent as we felt when we were first hurt. And we do not usually have a gigantic monster to forgive; we have a weak, needy, and somewhat stupid human being. When you see your enemy and yourself in the weakness and silliness of the humanity you share, you will make the miracle of forgiving a little easier.
When you're young, there's so much that you can't take in. It's pouring over you like a waterfall. When you're older, it's less intense, but you're able to reach out and drink it. I love being older.
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