Often, particularly towards the end of the process, I think of myself less as a theatre director and more as someone who just directs the traffic. My job is to move the ideas and bits of the show into the places where they work best. Sometimes my job is also to say, 'No.'
Interpretation
A theatre director's role is about guiding creative ideas to their best expression.
In this quote, Robert Lepage emphasizes the importance of a director's role in the creative process as one that involves not only organization and management but also discerning judgment. By likening his work to directing traffic, he highlights the necessity of moving creative elements to their optimal positions and sometimes making difficult decisions to omit certain ideas that do not serve the overall vision, underscoring the collaborative yet hierarchical nature of theatrical production.
In practice
This quote can be used in discussions about the responsibilities of a theatre director during a drama class.
A puppet, for example, is just a piece of wood, a couple of rivets, but put them together, and if you know how to do it, and the audience's imagination joins in with this, then a miracle will come out of that machine. That is what we and the audience do in the theatre - we create miracles in that space.
I will always demand the right for theatre to talk about anything and anyone. Without exception. None.
Some writers can only deal with childhood experience, because it's complete. For another kind of writer, life goes on, and he's able to keep processing that as well.
The goal of design is to raise the expectation of what design can be
I didn’t want a completely passive viewer. Art means too much to me. To be able to articulate something visually is really an important thing. I wanted to make work where the viewer wouldn’t walk away; he would giggle nervously, get pulled into history, into fiction, into something totally demeaning and possibly very beautiful
My working method has more often than not involved the subtraction of weight. I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language. . . . Maybe I was only then becoming aware of the weight, the inertia, the opacity of the world--qualities that stick to the writing from the start, unless one finds some way of evading them.
Creativity is the greatest gift of human intelligence.
When the theater gates open, a mob pours inside, and it is the poet's task to turn it into an audience.
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