When you stop doing something, it doesn't mean you are rejecting the previous work. That's the mistake; it's not rejecting it, it's saying, 'I have exploited it enough now and I wish to take a look at another corner.'
David HockneyRead
When you are older, you realise that everything else is just nothing compared to painting and drawing.
Interpretation
As one grows older, the importance of creative expression through art becomes clearer.
David Hockney's quote emphasizes the realization that the value of painting and drawing transcends many other pursuits in life as one matures. It highlights the significance of art as a profound means of expression and understanding that can overshadow material and superficial concerns.
In practice
During an art exhibition, one might quote this to emphasize the significance of art in life.
When you stop doing something, it doesn't mean you are rejecting the previous work. That's the mistake; it's not rejecting it, it's saying, 'I have exploited it enough now and I wish to take a look at another corner.'
I'm interested in all kinds of pictures, however they are made, with cameras, with paint brushes, with computers, with anything.
I've always wanted to be able to paint the dawn.
My only worry is the painting I'm doing. Nothing else.
In fact, most artists want to make things a bit more difficult for themselves as they go along, to challenge themselves.
I can get excitement watching rain on a puddle. And then I paint it. Now, I admit, there are not too many people who would find that exciting. But I would. And I want life thrilling and rich. And it is. I make sure it is.
The inmost spirit of poetry, in other words, is at bottom, in every recorded case, the voice of pain β and the physical body, so to speak, of poetry, is the treatment by which the poet tries to reconcile that pain with the world.
Any writer worth his salt writes to please himself.
My sister-in-law is a painter, and I'll say, how long did it take you to paint that painting. She'll say, It took me maybe three days, but it took me all my life to get the skills to paint that painting.
Any magazine-cover hack can splash paint around wildly and call it a nightmare, or a witches sabbath or a portrait of the devil; but only a great painter can make such a thing really scare or ring true. That's because only a real artist knows the anatomy of the terrible, or the physiology of fear.
My mind and fingers have worked like the damned. Homer, the Bible, Plato, Locke, Lamartine, Chateaubriand, Beethoven, Bach, Hummel, Mozart, Weber are all around me. I study them. I devour them with fury.
Aside from keeping the rain out and producing some usable space, architecture is nothing but a special-effects machine that delights and disturbs the senses.
Subscribe for the occasional hand-picked quote. No noise.