But most commonly, it's one poem that I work on with a lot of intensity.
Philip LevineRead
No one can write like Vallejo and not sound like a fraud. He's just too much himself and not you.
Interpretation
This quote emphasizes the uniqueness of an artist's voice and warns against imitation.
Philip Levine highlights the importance of authenticity in art by suggesting that no one can replicate the distinct style of the poet CΓ©sar Vallejo without appearing insincere. Vallejoβs work embodies his true self, making it impossible for another to capture that essence without losing their own identity, thus underscoring the significance of individual expression in creative endeavors.
In practice
This quote can inspire young artists in a workshop to embrace their unique styles.
But most commonly, it's one poem that I work on with a lot of intensity.
Meet some people who care about poetry the way you do. You'll have that readership. Keep going until you know you're doing work that's worthy. And then see what happens. That's my advice.
I'm afraid we live at the mercy of a power, maybe a God, without mercy. And yet we find it, as I have, from others.
It's ironic that while I was a worker in Detroit, which I left when I was twenty six, my sense was that the thing that's going to stop me from being a poet is the fact that I'm doing this crummy work.
If that voice that you created that is most alive in the poem isn't carried throughout the whole poem, then I destroy where it's not there, and I reconstruct it so that that voice is the dominant voice in the poem.
I'm saying look, here they come, pay attention. Let your eyes transform what appears ordinary, commonplace, into what it is, a moment in time, an observed fragment of eternity.
Oh, let there be nothing on earth but laundry,_x000D_ Nothing but rosy hands in the rising steam_x000D_ And clear dances done in the sight of heaven.
One reason to write a poem is to flush from the deep thickets of the self some thought, feeling, comprehension, question, music, you didn't know was in you, or in the world.
He asked, "what makes a man a writer?" "well," I said, "it's simple, it's either you get it down on paper or you jump off a bridge. writers are desperate people and when they stop being desperate they stop being writers." "are you desperate?" "I don't know.
Willows whiten, aspens quiver, little breezes dusk and shiver, thro' the wave that runs forever by the island in the river, flowing down to Camelot. Four gray walls and four gray towers, overlook a space of flowers, and the silent isle imbowers, the Lady of Shalott.
Indians are marvelous storytellers. In some ways, that oral tradition is stronger than the written tradition.
Drama, instead of telling us the whole of a man's life, must place him in such a situation, tie such a knot, that when it is untied, the whole man is visible.
Subscribe for the occasional hand-picked quote. No noise.