I consider music like a mirage in the desert. You're obsessed with the ideal piece of music, and the more you think you're getting closer, it's not there.
Jean Michel JarreRead
From the outside, being an artist seems like a dream life, but there are much darker aspects to it.
Interpretation
Being an artist is often perceived as glamorous, but it involves significant challenges and struggles.
Jean Michel Jarre's quote highlights the misconception that the artistic life is entirely idyllic and without hardships. While creativity can be fulfilling and joyous, it also often comes with personal sacrifices, emotional turmoil, and the realities of financial instability, which are frequently overlooked by outsiders.
In practice
This quote can be used in a speech about the realities artists face.
I consider music like a mirage in the desert. You're obsessed with the ideal piece of music, and the more you think you're getting closer, it's not there.
With electronic music, you are not confined to the acoustics of a concert-hall, and that inspired me to bring my performances outdoors.
For me, electronic music is like cooking: it's a sensual organic activity where you can mix ingredients.
I thought we had opposite visions of electronic music. Tangerine Dream and Kraftwerk had a very robotic, mechanical approach. I had a more impressionist vision - a Ravel/Debussy approach.
Saying that you don't care about the right to privacy because you have nothing to hide is no different than saying you don't care about freedom of speech because you have nothing to say.
The major rock instruments and classical instruments were designed for performance, for sharing the music with an audience, and then later people put microphones on them and recorded them. But for electronic music, the opposite was true - they're designed in laboratories, and later, we tried to put them on stage.
I think that one of the nice things about the Yellow Submarine movie is that it seems to be perennial. People enjoy watching from each generation. And it was like the Beatles themselves. You know the Beatles seem to find new audience each time another generation comes along.
In order to use color effectively it is necessary to recognize that color deceives continually.
When any civilization is dust and ashes," he said, "art is all that's left over. Images, words, music. Imaginative structures. Meaning—human meaning, that is—is defined by them. You have to admit that.
I think that cars today are almost the exact equivalent of the great Gothic cathedrals: I mean the supreme creation of an era, conceived with passion by unknown artists, and consumed in image if not in usage by a whole population which appropriates them as a purely magical object.
So many cartoonists draw the same year after year. When they find a style, they stick with it. They don't mess with innovation, and they become boring.
I'm tempted to say, 'Writing treatments is like designing a film by hiring six million monkeys to tear out pages of an encyclopedia, then you put the pages through a paper-shredder, randomly grab whatever intact lines are left, sing them in Italian to a Spanish deaf-mute, and then make story decisions with the guy via conference call.' But no... compared to writing treatments, that makes sense, too.
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