When the uncreative tell the creative what to do, it stops being art.
Tony BennettRead
I love entertaining people; I strive to make them feel good, and they make me feel wonderful. To explain it simply, I like what I do, and my ambition is to get better as I get older. That's really what I'm all about.
Interpretation
The quote expresses the joy of entertaining others and personal growth through passion.
In this quote, Tony Bennett shares his love for entertaining people, highlighting a reciprocal relationship where bringing joy to others also brings him happiness. He emphasizes that his ambition is rooted in a desire to continually improve his craft, indicating that true fulfillment comes from both passion and progress over time.
In practice
During a speech at a charity event, one might quote this to emphasize the joy of using one's talents for the benefit of others.
When the uncreative tell the creative what to do, it stops being art.
Someday, when I'm awfully low, and the world is cold, I will feel a glow just thinking of you, and the way you look tonight.
I lived for 15 years in Los Angeles, and I still can't believe that the handsomest man in the world, Cary Grant, and the greatest performer in the world, Fred Astaire, and Johnny Carson, one after another - they were all in my home at different times. I celebrated my 50th birthday with them. Unforgettable.
My goal as a creative person is to express truth and beauty in whatever I do
If you follow your passion, you'll never work a day in your life.
To me, life is a gift, and it's a blessing to just be alive. And each person should learn what a gift it is to be alive no matter how tough things get.
A non-writing writer is a monster courting insanity.
It takes time to get a dance right, to create something memorable.
What you wear is how you present yourself to the world, especially today when human contacts go so fast. Fashion is instant language.
Living in a capital in Europe but still surrounded by mountains and ocean, my relationship to music was strongest walking to school and back. I would sing to myself and very quickly started mapping out my melodies to landscapes - at the time I just thought it was very matter of fact, a common thing to do.
I wonder if I don't give too much of myself to writing: I am always half where I am; the other half is feeding the furnace, kick-starting the heat of creativity. I am making love with someone but at the same time I'm noticing how this graceful hand across my belly might just fit in with the memory of lilacs in Albuquerque in 1974.
I'm very much aware in the writing of dialogue, or even in the narrative too, of a rhythm. There has to be a rhythm with it … Interviewers have said, you like jazz, don’t you? Because we can hear it in your writing. And I thought that was a compliment.
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