Perceptions are portraits, not photographs, and their form reveals the artist’s hand every bit as much as it reflects the things portrayed
Interpretation
Perceptions depend on the viewer's perspective, just like art reflects the artist's style.
This quote emphasizes that our perceptions of reality are subjective and shaped by individual experiences and interpretations. Just as paintings showcase the distinct style and intention of the artist, our perceptions reveal more about ourselves and our perspectives than about the external world we observe.
In practice
In a discussion about how people interpret art differently at an exhibition.
Part of us believes the new car is better because it lasts longer. But, in fact, that's the worst thing about the new car. It will stay around to disappoint you, whereas a trip to Europe is over. It evaporates. It has the good sense to go away, and you are left with nothing but a wonderful memory.
Psychologists call this habituation, economists call it declining marginal utility, and the rest of us call it marriage.
The mistakes we make when we try to imagine our personal futures are also lawful, regular, and systematic. They, too, have a pattern that tells us about the powers and limits of foresight in much the same way that optical illusions tell us about the powers and limits of eyesight.
When we have an experience -- hearing a particular sonata, making love with a particular person, watching the sun set from a particular window of a particular room -- on successive occasions, we quickly begin to adapt to it, and the experience yields less pleasure each time. Psychologists call this habituation, economists call it declining marginal utility, and the rest of us call it marriage
Alas, we think of ourselves as unique entities-minds unlike any others-and thus we often reject the lessons that the emotional experience of others has to teach us.
What’s so curious about human beings is that we can look deeply into the future, foresee disaster, and still do nothing in the present to stop it. The majority of people on this planet, they’re overwhelmed with concerns about their immediate well being.
Media gatekeepers - editors, publishers, film studios and the like - need to begin investing in talent behind the scenes, developing and resourcing marginalized voices to tell their own stories. At the end of the day, it's about the story and what will enable the audience to truly see, understand, and know the life and times of the subject.
As she watched him she understood the quality of his beauty. How his labor had shaped him. How the wood he fashioned had fashioned him. Each plank he planed, each nail he drove, each thing he made molded him. Had left its stamp on him. Had given him his strength, his supple grace.
It's hard in America as a writer of color, an actor of color, not to get caught up in race and culture. But you're also supposed to be able to write characters and scenes in a way where it's just a matter of fact, a component.
What are American dry-goods? asked the duchess, raising her large hands in wonder and accentuating the verb. American novels, answered Lord Henry.
Poetry is either something that lives like fire inside you -- like music to the musician or Marxism to the Communist -- or else it is nothing, an empty, formalized bore around which pedants can endlessly drone their notes and explanations.
Everything written is as good as it is dramatic. It need not declare itself in form, but it is drama or nothing.
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