For I now realize that what overcame me that evening was a sudden awareness of the power of intuition, the supra-logic that cuts out all routine processes of thought and leaps straight from problem to answer.
Robert GravesRead
A perfect poem is impossible. Once it had been written, the world would end._x000D_ _x000D_ Immature poets imitate; mature poets steal.
Interpretation
True perfection in poetry is unattainable, and great poets draw inspiration from existing works.
The quote suggests that a perfect poem can never exist because its completion would signify the end of the world, emphasizing the idea that creativity is always evolving. Additionally, it highlights the notion that less experienced poets may simply mimic others, while those who are more skilled understand the value of reinterpreting and integrating existing ideas into their work.
In practice
In a literary discussion about the nature of poetry, one might use this quote to emphasize the importance of original thought.
For I now realize that what overcame me that evening was a sudden awareness of the power of intuition, the supra-logic that cuts out all routine processes of thought and leaps straight from problem to answer.
To recommend a monarchy on account of the prosperity it gives the provinces seems to me like recommending that a man should have liberty to treat his children as slaves, if at the same time he treats his slaves with reasonable consideration.
A banker warned the British poet Robert Graves that one could not grow rich writing poetry. He replied that if there was no money in poetry, there was certainly no poetry in money, and so it was all even.
Poetry began in the matriarchal age, and derives its magic from the moon, not from the sun. No poet can hope to understand the nature of poetry unless he has had a vision of the Naked King crucified to the lopped oak, and watched the dancers, red-eyed from the acrid smoke of the sacrificial fires, stamping out the measure of the dance, their bodies bent uncouthly forward, with a monotonous chant of "Kill! kill! kill!" and "Blood! blood! blood!
No poem is worth anything unless it starts from a poetic trance, out of which you can be wakened by interruption as from a dream. In fact, it is the same thing.
Never use the word 'audience.' The very idea of a public, unless the poet is writing for money, seems wrong to me. Poets don't have an 'audience'. They're talking to a single person all the time.
I think we're about ready for a new feeling to enter music. I think that will come from the Arabic world.
While all artists are not chess players, all chess players are artists.
Every time you do something, people are going to like it, people are going to hate it. You tend to make the movies on the basis you are making them for the people who are going to like them and not worrying too much about people who don't like them.
If I were reading a book and happened to strike a wonderful passage I would close the book then and there and go for a walk. I hated the thought of coming to the end of a good book. I would tease it along, delay the inevitable as long as possible, But always, when I hit a great passage, I would stop reading immediately. Out I would go, rain, hail, snow or ice, and chew the cud.
What I mean by 'abstract' is something which comes to life spontaneously through a gamut of contrasts, plastic at the same time as psychic, and pervades both the picture and the eye of the spectator with conceptions of new and unfamiliar elements.
It takes time to get a dance right, to create something memorable.
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