We in the Western world suffer from too many categories and classes; we've forgotten that we all still have diapers on. We've separated music from life.
Ornette ColemanRead
So, for instance, if you came to me, I'd ask, 'Do you want to write? Do you want to improvise? Why do you want to play this instrument? What do you want to do?'
Interpretation
This quote emphasizes the importance of personal motivation and intent in artistic expression.
Ornette Coleman's quote highlights the essential questions that every artist should consider regarding their passion for music or any creative endeavor. It encourages self-reflection about the reasons behind one's artistic pursuits, whether it be for writing, improvisation, or playing an instrument, suggesting that understanding one's motivations leads to a deeper and more fulfilling connection to the art form.
In practice
In a workshop for budding musicians, this quote could inspire participants to explore their artistic motivations.
We in the Western world suffer from too many categories and classes; we've forgotten that we all still have diapers on. We've separated music from life.
You don't have to worry about being a number one, number two, or number three. Numbers don't have anything to do with placement. Numbers only have something to do with repetition.
You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.
That's what I was trying to say when we were talking about sound. I think that every person, whether they play music or don't play music, has a sound - their own sound, that thing that you're talking about.
It's just someone has labelled us as having a different label to do what you do. I find that labels are the worst thing in the world for artistic expression.
I decided, if I'm going to be poor and black and all, the least thing I'm going to do is to try and find out who I am. I created everything about me.
One of the obsessions that the Soviet Union and the Eastern European communist parties had was always controlling the message - all information that everybody gets has to be carefully controlled and monitored. Art was no exception.
Dancing insists we take up space, and though it has no set direction, we go there together. Dance is dangerous, joyous, sexual, holy, disruptive, and contagious and it breaks the rules. It can happen anywhere, at anytime, with anyone and everyone, and it's free. Dance joins us and pushes us to go further and that is why it's at the center of ONE BILLION RISING.
When I attained my seventh year, my father, whose ear was unmusical but who was nevertheless passionately fond of music, gave me my elementary lessons on the violin; in a very few months, I was able to play all manner of compositions at sight.
There is in writing the constant joy of sudden discovery, of happy accident.
Eleanor was right. She never looked nice. She looked like art, and art wasn't supposed to look nice; it was supposed to make you feel something.
I'm not a politician because I'm an artist. Politicians have a very easy answer for a very complicated question. I have a very complicated question for what you consider very easy situations.
Subscribe for the occasional hand-picked quote. No noise.