We in the Western world suffer from too many categories and classes; we've forgotten that we all still have diapers on. We've separated music from life.
Ornette ColemanRead
That's what I was trying to say when we were talking about sound. I think that every person, whether they play music or don't play music, has a sound - their own sound, that thing that you're talking about.
Interpretation
Every individual has a unique essence or 'sound' that defines them, regardless of their musical abilities.
In this quote, Ornette Coleman emphasizes the idea that every person possesses a unique identity or essence, which he likens to a personal 'sound'. This 'sound' represents an individual's distinct characteristics, experiences, and emotional resonances that shape who they are, irrespective of their engagement with music or art.
In practice
This quote can inspire artists to embrace their unique styles during a creative meeting.
We in the Western world suffer from too many categories and classes; we've forgotten that we all still have diapers on. We've separated music from life.
You don't have to worry about being a number one, number two, or number three. Numbers don't have anything to do with placement. Numbers only have something to do with repetition.
You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.
So, for instance, if you came to me, I'd ask, 'Do you want to write? Do you want to improvise? Why do you want to play this instrument? What do you want to do?'
It's just someone has labelled us as having a different label to do what you do. I find that labels are the worst thing in the world for artistic expression.
I decided, if I'm going to be poor and black and all, the least thing I'm going to do is to try and find out who I am. I created everything about me.
You can find poetry in your everyday life, your memory, in what people say on the bus, in the news, or just what's in your heart.
Music is the reaching out towards the utmost realities by means of ordered sound.
If you watch any good player, they're using different parts of their body and working with instruments that respond to those movements. They're moving in many dimensions at once.
I used to be more involved with every aspect of everything onstage. I'm way more relaxed now. It feels like anything can happen.
I was this young boy and I saw this man with his hands round my sister's neck, I was just standing there with her two children beside me... Everything I've done since then was for the purpose of making women look stronger, not naïve. And so, when everyone started saying I was a misogynist, that really freaked me out. They didn't know me. They didn't know what I had seen in my life. That was the first part of fashion that I hated - people labeling me without knowing me.
But now, with the last two years of touring and being on the road, I've learned that a live show should never sound like a record; a record should sound like a live show.
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