We in the Western world suffer from too many categories and classes; we've forgotten that we all still have diapers on. We've separated music from life.
Ornette ColemanRead
That's what I was trying to say when we were talking about sound. I think that every person, whether they play music or don't play music, has a sound - their own sound, that thing that you're talking about.
Interpretation
Every individual has a unique essence or 'sound' that defines them, regardless of their musical abilities.
In this quote, Ornette Coleman emphasizes the idea that every person possesses a unique identity or essence, which he likens to a personal 'sound'. This 'sound' represents an individual's distinct characteristics, experiences, and emotional resonances that shape who they are, irrespective of their engagement with music or art.
In practice
This quote can inspire artists to embrace their unique styles during a creative meeting.
We in the Western world suffer from too many categories and classes; we've forgotten that we all still have diapers on. We've separated music from life.
You don't have to worry about being a number one, number two, or number three. Numbers don't have anything to do with placement. Numbers only have something to do with repetition.
You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.
So, for instance, if you came to me, I'd ask, 'Do you want to write? Do you want to improvise? Why do you want to play this instrument? What do you want to do?'
It's just someone has labelled us as having a different label to do what you do. I find that labels are the worst thing in the world for artistic expression.
I decided, if I'm going to be poor and black and all, the least thing I'm going to do is to try and find out who I am. I created everything about me.
She drinks pints of coffee and writes little observations and ideas for stories with her best fountain pen on the linen-white pages of expensive notebooks. Sometimes, when it's going badly, she wonders if what she believes to be a love of the written word is really just a fetish for stationery.
As an actor you become that lighting rod between the person who made the play and the audience.
Architecture is not based on concrete and steel, and the elements of the soil. It's based on wonder.
I began to exercise a lot of cinematic muscle with the precepts I had learned in the New York art world. Film was intriguing. I began to think of art as elitist; film was not.
The rhythm, the sounds, the tonality, the chord sequences, the individual effect of each instrument and each section of the band - I'm talking about a whole continent in my music.
I start a lot more songs than I finish, because I realize when I get into them, they're no good. I don't throw them away, I just put them away, store them, get them out of sight.
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