You don't have to worry about being a number one, number two, or number three. Numbers don't have anything to do with placement. Numbers only have something to do with repetition.
Ornette ColemanRead
We in the Western world suffer from too many categories and classes; we've forgotten that we all still have diapers on. We've separated music from life.
Interpretation
The quote highlights the separation of art and life in Western culture, reminding us of our shared humanity.
Ornette Coleman suggests that in the Western world, people have become overly concerned with classifying and categorizing aspects of life, including music, which in turn leads us to forget our fundamental similarities and the simplicity of our shared experiences. He implies that by creating divisions, we overlook the intrinsic connections between art and life, and the universal experiences that bind us together as human beings.
In practice
In a discussion about the value of art in society, this quote could serve as a reminder of our collective human experience.
You don't have to worry about being a number one, number two, or number three. Numbers don't have anything to do with placement. Numbers only have something to do with repetition.
You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.
So, for instance, if you came to me, I'd ask, 'Do you want to write? Do you want to improvise? Why do you want to play this instrument? What do you want to do?'
That's what I was trying to say when we were talking about sound. I think that every person, whether they play music or don't play music, has a sound - their own sound, that thing that you're talking about.
It's just someone has labelled us as having a different label to do what you do. I find that labels are the worst thing in the world for artistic expression.
I decided, if I'm going to be poor and black and all, the least thing I'm going to do is to try and find out who I am. I created everything about me.
Early in life, when I first saw waterlilies on the ripples of a lake, I didn't think they were flowers which grew from the water, but rather flowers which were mirrored from the shore into the lake. So many flowers grow in the silent waters of our souls, and they unfold their petals over the glaze of our consciousness: they grow from within us, but we think them reflections from the external world.
Man is diminished if he lives without knowledge of his past; without hope of a future he becomes a beast.
It is vital that there is a narrator figure whom people believe. That's why I never do commercials. If I started saying that margarine was the same as motherhood, people would think I was a liar.
My schedule for today lists a six-hour self-accusatory depression.
In my hometown of New Orleans, grief is a public spectacle that, somewhat paradoxically, necessitates celebration. The dead are not mourned so much as they are posthumously venerated with music and dance.
With her foot on the threshold she waited a moment longer in a scene which was vanishing even as she looked, and then, as she moved and took Minta's arm and left the room, it changed, it shaped itself differently; it had become, she knew, giving one last look at it over her shoulder, already the past.
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