We in the Western world suffer from too many categories and classes; we've forgotten that we all still have diapers on. We've separated music from life.
Ornette ColemanRead
It's just someone has labelled us as having a different label to do what you do. I find that labels are the worst thing in the world for artistic expression.
Interpretation
Labels can restrict and limit artistic expression, hindering creativity.
Ornette Coleman's quote conveys the idea that societal labels can confine individuals to certain roles or expectations, particularly in the realm of artistic expression. He suggests that these labels can be detrimental, as they inhibit true creativity and freedom, leading to a reduced ability to express oneself authentically. By resisting such labels, artists can explore and convey their unique visions without limitations.
In practice
In a talk about creative processes in art classes.
We in the Western world suffer from too many categories and classes; we've forgotten that we all still have diapers on. We've separated music from life.
You don't have to worry about being a number one, number two, or number three. Numbers don't have anything to do with placement. Numbers only have something to do with repetition.
You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.
So, for instance, if you came to me, I'd ask, 'Do you want to write? Do you want to improvise? Why do you want to play this instrument? What do you want to do?'
That's what I was trying to say when we were talking about sound. I think that every person, whether they play music or don't play music, has a sound - their own sound, that thing that you're talking about.
I decided, if I'm going to be poor and black and all, the least thing I'm going to do is to try and find out who I am. I created everything about me.
You finish a film not in the editing, but in the conversations that audiences have with themselves - and in that sense, every viewer is making a slightly different film. And that's wonderful.
The only weapons I ever had were my cello and my baton.
To burn always with this hard, gemlike flame, to maintain this ecstasy, is success in life . . . Not the fruit of experience, but experience itself, is the end . . . For art comes to you professing frankly to give nothing but the highest quality to your moments as they pass, and simply for those moments' sake.
Movie acting is primarily listening. If you're really engaged, that's all a movie audience wants to see is you processing what's happening in your world.
It's a fundamental, social attitude that the 1% supports symphonies and operas and doesn't support Johnny learning to program hip-hop beats. When I put it like that, it sounds like, 'Well, yeah,' but you start to think, 'Why not, though?' What makes one more valuable than another?
with poems one accomplishes so little when one writes them early. One should hold off and gather sense and sweetness a whole life long, a long life if possible, and then, right at the end, one could perhaps write ten lines that are good.
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