Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a sense of the past.
Susan SontagRead
Any photograph has multiple meanings: indeed, to see something in the form of a photograph is to encounter a potential object of fascination. The ultimate wisdom of the photographic image is to say: “There is the surface. Now think – or rather feel, intuit – what is beyond it, what the reality must be like if it looks this way.’ Photographs, which cannot themselves explain anything, are inexhaustible invitations to deduction, speculation, and fantasy
Interpretation
Photographs can evoke deeper thoughts and emotions, inviting viewers to explore beyond the surface.
Susan Sontag's quote emphasizes the complexity of photographs, suggesting that they are not mere representations of reality but instead open up a realm of interpretation and imagination. By viewing a photograph, one is prompted to think beyond what is visually presented, engaging with the unseen realities and emotions that lie beneath the surface, making each photograph an invitation for personal reflection and speculation.
In practice
In a photography class, I shared this quote to highlight the depth of photos beyond their surface.
Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a sense of the past.
Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.
Gide and I have attained such perfect intellectual communion that I experience the appropriate labor pains for every thought he gives birth to!
Volume depends precisely on the writer's having been able to sit in a room every day, year after year, alone.
In NY sensuality completely turns into sexuality - no objects for the senses to respond to, no beautiful river, houses, people. Awful smells of the street, and dirt... Nothing except eating, if that, and the frenzy of the bed.
It hurts to love. It's like giving yourself to be flayed and knowing that at any moment the other person may just walk off with your skin.
I've always written songs the same way. You learn different tricks - you learn craft, you learn structure, all that - as you go.
Playing in my early bands, working as a studio musician, producing and going to art school was, in retrospect, my apprenticeship. I was learning and creating a solid foundation of ideas, but I wasn't really playing music.
Good wine is a good familiar creature if it be well used.
So when I realised I could sing for a living - do what I loved and be paid for it - I thought, 'This is unbelievable. Unbelievable!' And that feeling has never left me.
A work of fiction should be, for its author, a journey into the unknown, and the prose should convey the difficulties of the journey.
One of the most important pieces of equipment, for the photographer who really wants to improve, is a great big wastepaper basket.
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