One should really use the camera as though tomorrow you'd be stricken blind.
Dorothea LangeRead
Photography takes an instant out of time, altering life by holding it still.
Interpretation
Photography captures a moment in time, allowing us to preserve and reflect on life.
This quote by Dorothea Lange emphasizes the power of photography as an art form that freezes fleeting moments, enabling us to hold onto and examine life's transient beauty. It suggests that through the lens of a camera, we can alter our perception of time and memory, transforming the ephemeral into something enduring and meaningful.
In practice
Sharing this quote at a photography exhibition to highlight the significance of captured moments.
One should really use the camera as though tomorrow you'd be stricken blind.
Being disabled gave me an immense advantage. People are kinder to you. It puts you on a different level than if you go into a situation whole and secure.
Surefire things are deadening to the human spirit.
The words that come direct from the people are the greatest.If you substitute one out of your own vocabulary, it disappears before your eyes.
Photographers stop photographing a subject too soon before they have exhausted the possibilities.
You go into a room and you know where you're welcome; you know where you're unwelcome.Sometimes in a hostile situation you stick around because hostility itself is important.The people who are garrulous and wear their heart on their sleeve and tell you everything, that's one kind of person, but the fellow who's hiding behind a tree and hoping you don't see him is the fellow that you'd better find out why.
I had to say to myself, 'I haven't written enough about blackness, yet it's part of my consciousness and my lived experience.' I had to get over that anxiety of 'I haven't done this before.'
My kitchen is a mystical place, a kind of temple for me. It is a place where_x000D_ _x000D_ the surfaces seem to have significance, where the sounds and odors carry_x000D_ _x000D_ meaning that transfers from the past and bridges to the future.
I wanted to deal with light directly rather than with paint.
Sometimes when you're inside a story, it's almost better if you don't think too much about its wider cultural significance or if you don't think about how audiences might react to it. That takes you out of the reality of the situation you're committing to as you're telling the story.
I feel that buildings often have a workaday aspect that you see during the daylight hours, and a more resplendent side that emerges after dark.
And I taught acting for years, and without knowing it that was the real thing that started bending me toward directing.
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