A lot of women seem to think the way to ingratiate themselves is to put down other women or backstab. That's the quickest way to be eliminated from my life - try that with me, and you're out.
Gabrielle UnionRead
Drama can feel like therapy whereas comedy feels like there's been a pressure and a weight lifted off of you. You come to work and you laugh all day, you go home and you feel light and there's a certain feeling when you're sitting with the audience and they leave after 90 minutes and it's just pure escapism and they're happy.
Interpretation
The quote highlights the contrasting effects of drama and comedy on people's emotions, emphasizing the uplifting nature of laughter.
Gabrielle Union expresses how drama can be cathartic, akin to therapy, while comedy provides a sense of relief and joy. She illustrates that through comedy, audiences experience escapism, leaving their troubles behind and sharing in the collective happiness of laughter, which lightens the mood and fosters a sense of community.
In practice
In a speech about the importance of mental health, one might use this quote to highlight how comedy can serve as a form of therapy.
A lot of women seem to think the way to ingratiate themselves is to put down other women or backstab. That's the quickest way to be eliminated from my life - try that with me, and you're out.
I realized I had been keeping people around even when deep down I knew they were bad for me. I had overridden myself.
I think there's a lot of things that occur within the African-American community, that we would prefer to stay within the African-American community - that we get a little nervous when you start having scenes or dialogue that we know is going to be viewed and heard on a national or global scale.
I'm not going to change the world overnight. It's one person at a time, and hopefully they're people in positions of power who can help people get in those roles and really, truly embrace colorblind casting.
In my career, there have been roles I haven't taken because someone involved with the project gave me a bad vibe. I don't care how much money is on the table: No job is worth feeling uneasy every day.
It feels like a game, this work I do. It is totally heartfelt, and I love the sticky terrain, the straight-up cartoons, how the irrepressible and icky rise to the surface. But I am not just trying to call forth bugaboos and demons for the sake of it, for fun.
It wasn't long after I began writing Star Wars that I realized the story was more than a single film could hold. As the saga of the Skywalkers and Jedi Knights unfolded, I began to see it as a tale that could take at least nine films to tell - three trilogies - and I realized, in making my way through the back story and after story, that I was really setting out to make the middle story.
In my career as a director, there's always been some point where you get halfway through it, or three-quarters, and you go: 'What is this thing all about, and why am I telling the story? Does anybody really care about seeing this?' At that time you have to say: 'OK, forget that and just go ahead.'
I am very attracted by bad taste-it is a lot more exciting than that supposed good taste which is nothing more than a standardized way of looking at things.
A good bookshop is just a genteel Black Hole that knows how to read.
An artist wears his work in place of wounds.
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