When I lock myself up to write, I cannot allow myself to think about the censor or the reviewer or anyone but my characters and their story!
Judy BlumeRead
I know it's working when I'm writing a book if I'm laughing or crying.
Interpretation
This quote emphasizes the emotional connection and authenticity involved in the writing process.
Judy Blume expresses that true creativity in writing is reflected in the strong emotional responses it evokes, whether joy or sorrow. This suggests that if a writer experiences laughter or tears while crafting their narrative, they are likely connecting deeply with their story and engaging authentically with their audience.
In practice
In a writing workshop, to highlight the importance of emotional engagement in storytelling.
When I lock myself up to write, I cannot allow myself to think about the censor or the reviewer or anyone but my characters and their story!
What I remember when I started to write was how I couldn't wait to get up in the morning to get to my characters.
What can happen if a young reader picks up a book he/she isn't yet ready for? Questions, maybe. Usually, that child puts down the book and says, 'Boring.' Or, 'I'm not ready for this.' Kids are really good at knowing what they can handle.
Concentrate on how good if feels to be alive. No matter what. Just to see the color of the sky, just to smell the air, and feel the wind in your face
I wrote 'Are You There God? It's Me, Margaret' right out of my own experiences and my own feelings when I was in sixth grade.
Nobody ever asks me why my characters don't text each other. Besides, as soon as you put something 'electronic' in a book, it's already out of date by the time it's published: everything will have changed. Human emotion, on the other hand, will never change.
I was making big paintings with mythological themes. When I started painting black figures, the white professors were relieved, and the black students were like, 'She's on our side.' These are the kinds of issues that a white male artist just doesn't have to deal with.
In the experience of art, time seems not to exist.
...imagine what you are writing about. See it and live it. Do not think it up laboriously, as if you were working out mental arithmetic. Just look at it, touch it, smell it, listen to it, turn yourself into it. When you do this, the words look after themselves, like magic.
I write plays and poetry at the same time, and I'm always refining, but I'm not obsessive about it. It's what I like to do, what I've always wanted to do.
When I was in Cambridge reading mathematics, I went to Amsterdam for the International Mathematics Congress. There I saw M.C. Escher's fascinating work. That inspired me to try my hand at drawing such impossibilities.
In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.
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