Physicians think they do a lot for a patient when they give his disease a name.
Immanuel KantRead
THERE ARE TWO THINGS that don't have to mean anything, one is music and the other is laughter.
Interpretation
Music and laughter are valuable experiences that exist for their own sake, independent of deeper meaning.
In this quote, Immanuel Kant emphasizes the intrinsic value of music and laughter, suggesting that these forms of expression do not need to convey a specific message or purpose to be appreciated. They can be enjoyed simply for their own existence and the joy they bring, highlighting the importance of finding beauty and pleasure in the present moment without seeking deeper meaning.
In practice
During a speech about the importance of art in education, I could use this quote to illustrate the role of music and laughter.
Physicians think they do a lot for a patient when they give his disease a name.
The inscrutable wisdom through which we exist is not less worthy of veneration in respect to what it denies us than in respect to what it has granted.
One cannot avoid a certain feeling of disgust, when one observes the actions of man displayed on the great stage of the world. Wisdom is manifested by individuals here and there; but the web of human history as a whole appears to be woven from folly and childish vanity, often, too, from puerile wickedness and love of destruction: with the result that at the end one is puzzled to know what idea to form of our species which prides itself so much on its advantages.
I shall never forget my mother, for it was she who planted and nurtured the first seeds of good within me. She opened my heart to the lasting impressions of nature; she awakened my understanding and extended my horizon and her percepts exerted an everlasting influence upon the course of my life.
. . . as to moral feeling, this supposed special sense, the appeal to it is indeed superficial when those who cannot think believe that feeling will help them out, even in what concerns general laws: and besides, feelings which naturally differ infinitely in degree cannot furnish a uniform standard of good and evil, nor has any one a right to form judgments for others by his own feelings. . . .
Two things fill the mind with ever new and increasing admiration and awe, the oftener and more steadily we reflect on them: the starry heavens above me and the moral law within me.
Because the writer must be a participant in the scene, while he's writing it β or at least taping it, or even sketching it. Or all three. Probably the closest analogy to the ideal would be a film director/producer who writes his own scripts, does his own camera work and somehow manages to film himself in action, as the protagonist or at least a main character.
Photographier: c'est mettre sur la meme ligne de mire la tete, l'oeil et le coeur.
I love to see lack of clarity in a performance as well as clarity, as well as trust, as well as the kinds of things that human beings go through. I love to see spontaneity and 'inevitability.' How it gets there is going to shock the hell out of me, but it will get there somehow.
My only conclusion about structure is that nothing works if you don't have interesting characters and a good story to tell.
As an actor, the second and last ones were interesting for me. Because those parts had the most change in playing someone who was both light and dark, sort of Jekyl and Hyde.
When I turned to writing fantasy, and writing for young people, it was joyous. It was like discovering an underground lake of ideas that went on forever.
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