My whole life has been nothing more than a continuous struggle against Reaction and the death of art.
Pablo PicassoRead
I have discovered photography. Now I can kill myself. I have nothing else to learn.
Interpretation
This quote reflects a profound realization and a sense of finality in artistic exploration.
Pablo Picasso expresses a deep commitment to photography as an art form, suggesting that through it, he has reached a pinnacle of understanding and creativity. The phrase 'I can kill myself' reveals a blend of hyperbole and existential reflection, indicating that he feels he has achieved all he can and that there is no further learning or exploration necessary in his artistic journey.
In practice
This quote can be used in an art class to spark discussion about the journey of learning and mastery in art.
My whole life has been nothing more than a continuous struggle against Reaction and the death of art.
Painting is just another way of keeping a diary.
In drawing, nothing is better than the first attempt.
He can who thinks he can, and he can't who thinks he can't. This is an inexorable, indisputable law.
You have to have an idea of what you are going to do, but it should be a vague idea.
I paint the way someone bites his fingernails; for me, painting is a bad habit because I don't know nor can I do anything else.
Write whatever way you like. Fiction is made of words on a page; reality is made of something else. It doesn't matter how "real" your story is, or how "made up": what matters is its necessity.
Everything comes out in blues music: joy , pain , struggle . Blues is affirmation with absolute elegance.
I thought we had opposite visions of electronic music. Tangerine Dream and Kraftwerk had a very robotic, mechanical approach. I had a more impressionist vision - a Ravel/Debussy approach.
I believe there are two ways of writing novels. One is mine, making a sort of musical comedy without music and ignoring real life altogether; the other is going right deep down into life and not caring a damn.
I started being interested in acting when I heard the voices of Sir Laurence Olivier and Sir John Gielgud and Sir Alec Guinness. Ive had the great privilege of working with Sir Derek Jacobi and Sir Anthony Hopkins. These are people who inspire the work that I do.
All methods are sacred if they are internally necessary. All methods are sins if they are not justified by internal necessity.
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