If you take a picture of a human that does not make him noble, there is no reason to take this picture... _x000D_ “If you take a picture of a human that does not make him noble, there is no reason to take this picture. That is my way of seeing things.
Interpretation
The quote emphasizes the importance of capturing the dignity and nobility of people in photography.
Sebastiao Salgado's quote reflects his philosophy as a photographer, which prioritizes the portrayal of human dignity and noble qualities in his subjects. He suggests that photography should serve a purpose beyond mere aesthetics; it should convey a deeper truth about the humanity and worth of the subjects being photographed. If a photograph does not elevate the person portrayed or highlight their inherent value, then, in his view, it lacks significance.
In practice
This quote can be used in discussions about the ethics of documentary photography.
I have a way to photograph. You work with space, you have a camera, you have a frame, and then a fraction of a second. It's very instinctive. What you do is a fraction of a second, it's there and it's not there. But in this fraction of a second comes your past, comes your future, comes your relation with people, comes your ideology, comes your hate, comes your love - all together in this fraction of a second, it materializes there.
As in any person's life, there have been difficult moments: I have a son with Down's syndrome; through my photography, I have witnessed all manner of human degradation. But there have also been very happy moments.
There are moments that you suffer a lot, moments you won't photograph. There are some people you like better than others. But you give, you receive, you cherish, you are there. When you are really there, you know when you see the picture later what you are seeing.
So many times I've photographed stories that show the degradation of the planet. I had one idea to go and photograph the factories that were polluting, and to see all the deposits of garbage. But, in the end, I thought the only way to give us an incentive, to bring hope, is to show the pictures of the pristine planet - to see the innocence.
In the end, the only heritage we have is our planet, and I have decided to go to the most pristine places on the planet and photograph them in the most honest way I know, with my point of view, and of course it is in black and white, because it is the only thing I know how to do.
My way of photographing is my way of life. I photograph from my experience, my way of seeing things.
It hardly seems worthwhile to point out the shortsightedness of those practitioners who would have us believe that the form of the poem is merely its shape.
Making a movie is like a marathon, and commercials are like sprints - they're equally satisfying, but in different ways.
Women's art, political art - those categorisations perpetuate a certain kind of marginality which I'm resistant to. But I absolutely define myself as a feminist.
People wish to be poets more than they wish to write poetry, and that's a mistake. One should wish to celebrate more than one wishes to be celebrated.
When I started to play with my fingernails, it was not just for volume. The most important thing was giving the guitar different colors in its voices.
You must talk to me, Caravaggio. Or am I just a book? Something to be read, some creature to be tempted out of a loch and shot full of morphine, full of corridors, lies, loose vegetation, pockets of stones.
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