We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
Brian EnoRead
There are certain sounds that I've found work well in nearly any context. Their function is not so much musical as spatial: they define the edges of the territory of the music.
Interpretation
Brian Eno emphasizes the importance of specific sounds in music that help create a spatial sense rather than focusing solely on melody.
In this quote, Brian Eno highlights the significance of particular sounds that serve to outline and define the musical space within a piece rather than merely contributing melody or rhythmic elements. He suggests that these sounds create a framework that enhances the listener's experience, providing context and depth to the music, making them essential for the overall composition and emotional impact.
In practice
In a music production workshop, one might use this quote to discuss how ambient sounds can shape a track's atmosphere.
We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
I think that technology is always invented for historical reasons, to solve a historical problem. But they very soon reveal themselves to be capable of doing things that aren't historical that nobody had ever thought of doing before.
When I first started making ambient music, I was setting up systems using synthesizers that generated pulses more or less randomly. The end result is a kind of music that continuously changes. Of course, until computers came along, all I could actually present of that work was a piece of its output.
People do dismiss ambient music, don't they? They call it 'easy listening,' as if to suggest that it should be hard to listen to.
In the future, you won't buy artists' works; you'll buy software that makes original pieces of 'their' works, or that recreates their way of looking at things. You could buy a Shostakovich box, or you could buy a Brahms box. You might want some Shostakovich slow-movement-like music to be generated. So then you use that box.
Ambient music must be as ignorable as it is interesting.
It is possible, however, that the artist is both thin-skinned and prophetic and, like the canary lowered into the mine shaft to test the air, has caught a whiff of something lethal.
I still feel that French cooking is the most important in the world, one of the few that has rules. If you follow the rules, you can do pretty well.
Literature is not a picture of life, but is a separate experience with its own kind of flow and enhancement.
I'm a musician, and I feel like musicians owe it to themselves and owe it to music to concern themselves with as much of music as interests them. Even if you decide that you're never going to compose, you will be a better performer if you concern yourself with the craft of composition.
I've seen my own blood and broken a few bones. I've been hit, which isn't an entirely bad thing, as at least you have a glimpse of the suffering endured by the people you are photographing. And in a sense, crumbling empires and war have been with me all my life.
He wanted to cry quietly but not for himself: for the words, so beautiful and sad, like music.
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