The concept with Off-White is that I have no ideal target. It's more about trying to make something for everyone. And I think that's what helps make it unique. That there isn't a specific muse.
Virgil AblohRead
My place in design history is to sort of interpret youth culture, and I think we've seen that done in fashion before - it's not a new concept - but it hasn't been done with the same vigour in a modern context.
Interpretation
Virgil Abloh emphasizes his role in reflecting youth culture through design, noting its historical significance and modern application.
In this quote, Virgil Abloh expresses his understanding of his contribution to design history, particularly in interpreting and representing the essence of youth culture. He acknowledges that while this has been done in the fashion industry previously, he aims to bring a fresh, vigorous perspective to it that aligns with contemporary contexts, highlighting the ongoing evolution of cultural representation in design.
In practice
Using this quote in a talk about modern fashion trends and influences.
The concept with Off-White is that I have no ideal target. It's more about trying to make something for everyone. And I think that's what helps make it unique. That there isn't a specific muse.
The whole point of collaboration is that you give and take from each other, and that's how you create things that are totally new.
I'm always trying to prove to my 17-year-old self that I can do creative things I thought weren't possible.
From my perspective, I'm trying to stand for a generation. You know, each generation has designers who go along with it.
There's no line between a designer and consumer.
I do fashion to tell a narrative.
If we look at the works of JS Bach ... on each page we discover things which we thought were born only yesterday, from delightful arabesques to an overflowing of religious feeling greater than anything we have since discovered.
I had no proof that I had the stuff to be an artist, though I hungered to be one.
Tom's great yellow bronze mask all draped upon an iron framework. An inhibited, nerve-drawn; dropped face - as if hung on a scaffold of heavy private brooding; and thought.
For me, the subject is of secondary importance: I want to convey what is alive between me and the subject.
The true artist is not proud: he unfortunately sees that art has no limits; he feels darkly how far he is from the goal, and though he may be admired by others, he is sad not to have reached that point to which his better genius only appears as a distant, guiding sun.
It's difficult because nothing's preordained by plan and you can't control it. That's one of those joys and thrills and nerve-racking realities of being an actor. A lot has to do with luck, no matter what your talent or contribution can be.
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