You are the plays you write. How on earth could you write them otherwise? They're projections of your own predilections.
Interpretation
This quote suggests that our creations reflect our inner thoughts and preferences.
Tom Stoppard's quote emphasizes the idea that our artistic expressions, including the works we create, are deeply rooted in our personal experiences, beliefs, and inclinations. It implies that to understand our art, one must explore the inner workings of our minds, as they are the true source of inspiration and storytelling. Each piece we write is a manifestation of who we are, suggesting that our identity and creativity are intertwined.
In practice
In a discussion about the influence of personal experiences on storytelling.
Love is - OK, it's 20 things, but it isn't 19. And I think that love reaches for something which is very, very deep in us and is very easily obscured, and is also very easily denied, which is the instinct towards the other person, other than toward the self.
A movie camera is like having someone you have a crush on watching you from afar - you pretend it's not there.
I once did a radio program with a famous materialist, that is to say a scientist who believed that absolutely everything was physical and that all emotions were reductive to little electrical impulses in your neurons. And I found that I didn't believe that. But what the emotions really are, I don't have an alternative theory.
One of the reasons why there are so many versions of Chekhov is that translations date in a way that the original doesn't; translations seem to be of their time.
A Chinaman of the T'ang Dynasty—and, by which definition, a philosopher—dreamed he was a butterfly, and from that moment he was never quite sure that he was not a butterfly dreaming it was a Chinese philosopher. Envy him; in his two-fold security.
Chekhov directors and Chekhov actors love working on his plays because there seems to be no end to what you can find out about the micro-narrative when you're investigating a text.
If I blow the conch and they don't come back; then we've had it. We shan't keep the fire going. We'll be like animals. We'll never be rescued." "If you don't blow, we'll soon be animals anyway.
I think that everyone is kind of confused about the information they get from the media and rightly so. I'm confused about the information I get from the media.
Is not nationalism - that devotion to a flag, an anthem, a boundary so fierce it engenders mass murder - one of the great evils of our time, along with racism, along with religious hatred? These ways of thinking - cultivated, nurtured, indoctrinated from childhood on - have been useful to those in power, and deadly for those out of power.
If you go into an underground train in London - probably anywhere, but chiefly in London - there's that sense of almost entering a ghostly dimension. People are very still and quiet; they don't exchange many pleasantries.
All violent feelings have the same effect. They produce in us a falseness in all our impressions of external things, which I would generally characterize as the pathetic fallacy.
Some people operate in complete fear that they're gonna lose their stuff and their money. That sounds like hell to me. And then I guess some people operate with hands open, and maybe empty, but at least striving for a deeper understanding of what it means to care.
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