Controlled hysteria is what's required. To exist constantly in a state of controlled hysteria. It's agony. But everyone has agony. The difference is that I try to take my agony home and teach it to sing.
Arthur MillerRead
A playwright lives in an occupied country. And if you can't live that way you don't stay.
Interpretation
This quote reflects the struggles and sacrifices a playwright faces in a restrictive environment.
Arthur Miller's quote highlights the challenges that artists, particularly playwrights, encounter while creating work in a society filled with oppression or conflict. The metaphor of living in an 'occupied country' suggests that the playwright must navigate through external pressures and limitations that stifle creativity and expression, and it implies that a true artist will either adapt to this reality or choose to leave such an environment behind.
In practice
During a speech on the importance of artistic freedom.
Controlled hysteria is what's required. To exist constantly in a state of controlled hysteria. It's agony. But everyone has agony. The difference is that I try to take my agony home and teach it to sing.
The word "now" is like a bomb through the window, and it ticks.
Amos Oz is one of the finest novelists of this entire period. MY MICHAEL is a beautiful work of great depth and in some indescribable way lingers in the mind as a lyric song to his country's people as much as a moving love story.
Just remember, kid, you can quicker get back a million dollars that was stole than a word that you gave away.
Oh,Elizabeth, your justice would freeze beer.
The structure of a play is always the story of how the birds came home to roost.
The kind of fiction I'm trying to write is about telling the truth.
Artists teach critics what to think. Critics repeat what the artists teach them.
I work with writers whom I believe to be true storytellers. And because I'm a writer, I pay very keen attention to their vision. I find that so fueling creatively because, in telling those stories, you use everything you've got. You come away with battle scars. It's gratifying and invigorating.
If the audience knew what they wanted then they wouldn't be the audience, they would be the artist.
My drawings inspire, and are not to be defined. They place us, as does music, in the ambiguous realm of the undetermined.
How could anybody think of Bach as 'cold' when these [cello] suites seem to shine with the most glittering kind of poetry," Casals said. "As I got on with the study I discovered a new world of space and beauty... the feelings I experienced were among the purest and most intense in my artistic life!
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