Hold a book in your hand and you're a pilgrim at the gates of a new city.
Anne MichaelsRead
Reading a poem in translation is like kissing a woman through a veil.
Interpretation
This quote suggests that experiencing poetry in translation diminishes the full beauty and intimacy of the original language.
Anne Michaels' quote metaphorically compares reading a poem in translation to kissing a woman through a veil, emphasizing that just as a veil obscures the full experience of a kiss, translation can obscure the depth, nuance, and emotional resonance of the original poem. The idea is that certain nuances and feelings are lost when art is filtered through another language, making the experience less genuine or powerful than it could be.
In practice
In a literary discussion about the beauty of original works.
Hold a book in your hand and you're a pilgrim at the gates of a new city.
When my parents were liberated, four years before I was born, they found that the ordinary world outside the camp had been eradicated. There was no more simple meal, no thing was less than extraordinary: a fork, a mattress, a clean shirt, a book. Not to mention such things that can make one weep: an orange, meat and vegetables, hot water. There was no ordinariness to return to, no refuge from the blinding potency of things, an apple screaming its sweet juice.
If love wants you; if you've been melted down to stars, you will love with lungs and gills; with feathers and scales; with warm blood and cold.
Long after you’ve forgotten someone’s voice, you can still remember the sound of their happiness or their sadness. You can feel it in your body.
Love makes you see a place differently, just as you hold differently an object that belongs to someone you love. If you know one landscape well, you will look at all other landscapes differently. And if you learn to love one place, sometimes you can also learn to love another.
There's a moment when love makes you believe in death for the first time. You recognize the one whose loss, even contemplated, you'll carry forever, like a sleeping child. All grief, anyone's grief...is the weight of a sleeping child.
I discovered the fun of genre is... you get to explore your fears, and you get to use the metaphor of the genre - whether it's a giant monster or a... 12-year-old vampire. Whatever it is, you can sink something underneath the surface and make a personal film under the guise of great fun romp.
The arts make vivid the fact that words do not, in their literal form or number, exhaust what we can know. The limits of our language do not define the limits of our cognition.
The only time I have a good hunch the audience is going to be there is when I make the sequel to 'Jurassic Park' or I make another Indiana Jones movie. I know I've got a good shot at getting an audience on opening night. Everything else that is striking out into new territory is a crap shoot.
I cook more theoretically than I do practically. My job is creative, and in the kitchen, the biggest part of my creativity is theoretical.
If writers just sit and talk about oppression, they are not going to do much writing.
I began writing when I was still in the British Foreign Service, and it was then understood that even if you wrote about butterfly collecting, you used another name.
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