There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
Kehinde WileyRead
Painting does more than just point to things. The very act of pointing is a value statement.
Interpretation
The act of painting conveys deeper meanings beyond mere representation.
Kehinde Wiley's quote emphasizes that painting is not just about depicting objects or scenes; it is an act of expression that carries significant meaning and intention. The act of pointing, or focusing on particular subjects in art, conveys a statement about value, perspective, and the artist's engagement with the world, inviting viewers to consider what is highlighted and why.
In practice
In a conversation about the significance of art, one might say, 'As Kehinde Wiley puts it, painting does more than just point to things, highlighting the deeper meanings behind artistic expression.'
There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
This idea that my work is about hip-hop is a little reductive. What I'm interested in is the performance of masculinity, the performance of ethnicity, and how they intermingle across cultures.
What is portraiture? It's choice. It's the ability to position your body in the world for the world to celebrate you on your own terms.
The ability to be the first African-American painter to paint the first African-American president of the United States is absolutely overwhelming. It doesn't get any better than that.
Painting is about the world that we live in. Black men live in the world. My choice is to include them.
What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or fine-art culture. My work is about reconciling myriad cultural influences and bringing them into one picture.
I think I write in order to discover on my shelf a new book that I would enjoy reading, or to see a new play that would engross me.
I travel in gardens and bedrooms, basements and attics, around corners, through doorways and windows, along sidewalks, over carpets, down drainpipes, in the sky, with friends, lovers, children and heros; perceived, remembered, imagined, distorted and clarified.
I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content.
I spend a lot of time thinking, if not daydreaming. People think of me as a genre writer, and a genre writer is supposed to be prolific. Since that's how people perceive me, they have to say I'm prolific. But I don't find that either complimentary or accurate.
There's a kind of power thing about the camera. I mean everyone knows you've got some edge. You're carrying some magic which does something to them. It fixes them in a way.
Music isn't about music, it's about life.
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