As a viewer, the minute I start getting confused, I check out of the movie. Emotionally, I'm severed.
I don't really consider myself an American filmmaker like, say, Ron Howard might be considered an American filmmaker. If I'm doing something and it seems to me to be reminiscent of an Italian giallo, I'm gonna to do it like an Italian giallo.
Interpretation
What this quote means
Tarantino emphasizes his unique filmmaking style influenced by different cultures rather than adhering strictly to an American perspective.
In this quote, Quentin Tarantino expresses his distinction from conventional American filmmakers by highlighting that his creative inspirations stem from various influences, particularly Italian giallo films. He asserts that his artistic identity is shaped by the styles and narratives from around the world rather than being limited to traditional American cinema, which reflects his commitment to authenticity and personal expression in filmmaking.
Themes
In practice
Example use cases
During a lecture on film history, one might quote Tarantino to illustrate the importance of cultural influences in art.
More from Quentin Tarantino
All quotes →Something stopped me in school a little bit. Anything that I'm not interested in, I can't even feign interest.
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To call Clive Barker a 'horror novelist' would be like calling the Beatles a 'garage band'... He is the great imaginer of our time. He knows not only our greatest fears, but also what delights us, what turns us on, and what is truly holy in the world. Haunting, bizarre, beautiful.
As a writer, I demand the right to write any character in the world that I want to write. I demand the right to be them, I demand the right to think them and I demand the right to tell the truth as I see they are.
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If the King loves music, it is well with the land.
Film is a disease. When it infects your bloodstream, it takes over as the number one hormone; it bosses the enzymes; directs the pineal gland; plays Iago to your psyche. As with heroin, the antidote to film is more film.
I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means. What I want and what I fear.
I swear fearfully at the conventions of the stage.
There are places where writing is acting and acting is writing. I'm not so interested in the divisions. I'm interested in the way things cross over.