I realized all of the possibilities that could exist for me with my camera: all of the images that I could capture, all of the lives I could enter, all of the people I could meet and how much I could learn from them.
Mary Ellen MarkRead
I really knew when I started photographing I wanted it to be a way of knowing different cultures, not just in other countries but in this country, too, and I knew I wanted to be a voyeur.
Interpretation
The quote reflects the desire to understand and connect with diverse cultures through photography.
Mary Ellen Mark emphasizes her intention behind photography as a means to explore and appreciate various cultures, both globally and locally. She expresses the idea of being a voyeur, suggesting a deep curiosity and engagement with the lives of others, encouraging viewers to see beyond their immediate surroundings and embrace a wider world view through her lens.
In practice
In a discussion about the impact of art on cultural awareness, this quote can highlight the value of photography.
I realized all of the possibilities that could exist for me with my camera: all of the images that I could capture, all of the lives I could enter, all of the people I could meet and how much I could learn from them.
I think you have to have a real point of view that's your own. You have to tell it your way. And, I think that it's a mistake to shoot for a specific magazine's point of view because it's never going to be as good. You have to shoot for yourself and photograph [ the way] you believe it.
As a kid, I used to dream about airplanes before I ever flew in one. I really knew, when I started photographing, I wanted it to be a way of knowing different cultures, not just in other countries but in this country, too, and I knew I wanted to enter other lives. I knew I wanted to be a voyeur.
I think you reveal yourself by what you choose to photograph, but I prefer photographs that tell more about the subject. There's nothing much interesting to tell about me; what's interesting is the person I'm photographing, and that's what I try to show. [...] I think each photographer has a point of view and a way of looking at the world... that has to do with your subject matter and how you choose to present it. What's interesting is letting people tell you about themselves in the picture.
I could spend my whole life photographing circuses. They combine everything I'm interested in - they're ironic, poetic, and corny at the same time. There's also something about a circus that's magical, sentimental, and almost tragic, like a Fellini film.
I want my photographs not only to be real but to portray the essence of my subjects also. In order to do that, you have to be patient.
All too often, when creative people pick out someone else's creative work as an inspiration, what they end up with is very, very far from the original.
When your story is ready for rewrite, cut it to the bone. Get rid of every ounce of excess fat. This is going to hurt; revising a story down to the bare essentials is always a little like murdering children, but it must be done.
I love New York. You can pop out of the Underworld in Central Park, hail a taxi, head down Fifth Avenue with a giant hellhound loping behind you, and nobody even looks at you funny.
The deal is such that when I begin writing something, I open a door, and those characters come in, and then they won't leave, and so I live with them every day, all day. They are there with me when I'm driving my kids to school, when I'm standing in line at the grocery store.
The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.
The reason one writes isn't the fact he wants to say something. He writes because he has something to say.
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