Write. No amount of self-inflicted misery, altered states, black pullovers or being publicly obnoxious will ever add up to your being a writer. Writers write. On you go.
A.L. KennedyRead
Remember you love writing. It wouldn’t be worth it if you didn’t. If the love fades, do what you need to and get it back.
Interpretation
Writing is a passion that should be nurtured; losing the love for it means taking steps to rekindle that joy.
This quote emphasizes the importance of maintaining a love for writing as a passionate endeavor. A.L. Kennedy suggests that if one finds their enthusiasm dwindling, it's essential to take proactive measures to rediscover and restore that love, highlighting the dynamic and sometimes challenging nature of creative work.
In practice
In a writing workshop, you might say this quote to motivate participants when they feel uninspired.
Write. No amount of self-inflicted misery, altered states, black pullovers or being publicly obnoxious will ever add up to your being a writer. Writers write. On you go.
You can look at the words on this paper and, because they are the ones I am used to choosing, they will show you the shape of me. I am here to be read in the way you might read the impression of my weight in a bed after a still night, a restless night, a night not alone.
Read. As much as you can. As deeply and widely and nourishingly and irritatingly as you can. And the good things will make you remember them, so you won't need to take notes.
Reinforced concrete buildings are by nature skeletal buildings. No noodles nor armoured turrets. A construction of girders that carry the weight, and walls that carry no weight. That is to say, buildings consisting of skin and bones.
There are two kinds of designers: ones who are very happy locked in their office surrounded by their coterie. The last thing they need to do is to go to a trunk show; they'd go running for the hills. I not only enjoy it, I think, how do you design things that are applicable to life - unless you live it?
I really subscribe to that old adage that you should never let the audience get ahead of you for a second. So if the film's abrasive and wrongfoots people then, y'know, that's great. But I hope it involves an audience.
As for me, I am a watercolor. I wash off.
I'm afraid that if you look at a thing long enough, it loses all of its meaning.
When I create a collection, I approach it with a cinematic point of view-I am not designing clothes, I'm creating a world.
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