Write. No amount of self-inflicted misery, altered states, black pullovers or being publicly obnoxious will ever add up to your being a writer. Writers write. On you go.
A.L. KennedyRead
Remember you love writing. It wouldn’t be worth it if you didn’t. If the love fades, do what you need to and get it back.
Interpretation
Writing is a passion that should be nurtured; losing the love for it means taking steps to rekindle that joy.
This quote emphasizes the importance of maintaining a love for writing as a passionate endeavor. A.L. Kennedy suggests that if one finds their enthusiasm dwindling, it's essential to take proactive measures to rediscover and restore that love, highlighting the dynamic and sometimes challenging nature of creative work.
In practice
In a writing workshop, you might say this quote to motivate participants when they feel uninspired.
Write. No amount of self-inflicted misery, altered states, black pullovers or being publicly obnoxious will ever add up to your being a writer. Writers write. On you go.
You can look at the words on this paper and, because they are the ones I am used to choosing, they will show you the shape of me. I am here to be read in the way you might read the impression of my weight in a bed after a still night, a restless night, a night not alone.
Read. As much as you can. As deeply and widely and nourishingly and irritatingly as you can. And the good things will make you remember them, so you won't need to take notes.
In journalism, a fact is just a fact. But in fiction, you have to build your case. It has to be made, step by step.
The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
If poets are the unacknowledged legislators of the world, science fiction writers are its court jesters. We are Wise Fools who can leap, caper, utter prophecies, and scratch ourselves in public. We can play with Big Ideas because the garish motley of our pulp origins make us seem harmless.
Someone said to me, early on in film school... if you can photograph the human face you can photograph anything, because that is the most difficult and most interesting thing to photograph.
I'm always trying to reach a transcendent point, a romantic point, but reach it in a really unconventional way, a really profane way. To get to that romantic, touching, heartbreaking place, but through a lot of acts of profanity.
Every time I try to retire, or even think of retiring from acting, my agent comes up with a script.
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