We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
Brian EnoRead
Since I have always preferred making plans to executing them, I have gravitated towards situations and systems that, once set into operation, could create music with little or no intervention on my part. That is to say, I tend towards the roles of planner and programmer, and then become an audience to the results
Interpretation
The quote reflects a preference for planning and creating systems that function independently, allowing for observation rather than active involvement.
Brian Eno suggests that he has a strong inclination toward designing and setting up systems that can operate autonomously to produce art, particularly music, with minimal input from himself after their initiation. This perspective highlights the value of planning and programming in creative endeavors, where the creator can step back and appreciate the outcomes of their own designs.
In practice
In a discussion about creativity, I might quote Eno to highlight the importance of planning in artistic endeavors.
We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
I think that technology is always invented for historical reasons, to solve a historical problem. But they very soon reveal themselves to be capable of doing things that aren't historical that nobody had ever thought of doing before.
When I first started making ambient music, I was setting up systems using synthesizers that generated pulses more or less randomly. The end result is a kind of music that continuously changes. Of course, until computers came along, all I could actually present of that work was a piece of its output.
People do dismiss ambient music, don't they? They call it 'easy listening,' as if to suggest that it should be hard to listen to.
In the future, you won't buy artists' works; you'll buy software that makes original pieces of 'their' works, or that recreates their way of looking at things. You could buy a Shostakovich box, or you could buy a Brahms box. You might want some Shostakovich slow-movement-like music to be generated. So then you use that box.
Ambient music must be as ignorable as it is interesting.
Making a film is hard because you're not dealing with the intangible. When you're writing, it's perfect because it's only in your head and then you have to take it into the physical world and that's where things drop off and things fall apart and you have to fix them.
Some couture collections have everything including the kitchen sink! Everything gets thrown on to make it look expensive. I find it grotesque when clothes hit you in the face and there's no room for fault. But I don't expect to turn things around all by myself. I'm not a saint.
Architect's designs must refer to the unquestionable perfection of the body's symmetry and proportions. If a building is to create a sense of eurythmia, it is essential that it mirrors these natural laws of harmony and beauty
Art is a microscope which the artist fixes on the secrets of his soul, and shows to people these secrets which are common to all.
I cannot say why I wanted to paint. The only answer is in the pictures themselves.
One of the obsessions that the Soviet Union and the Eastern European communist parties had was always controlling the message - all information that everybody gets has to be carefully controlled and monitored. Art was no exception.
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