What we want is to see the child in pursuit of knowledge, and not knowledge in pursuit of the child.
George Bernard ShawRead
With the single exception of Homer, there is no eminent writer, not even Sir Walter Scott, whom I can despise so entirely as I despise Shakespeare when I measure my mind against his. . . . It would positively be a relief to me to dig him up and throw stones at him.
Interpretation
The author expresses profound disdain for Shakespeare, emphasizing his own judgement of literary merit.
George Bernard Shaw reflects his strong feelings toward Shakespeare, suggesting that despite Shakespeare's eminent status in literature, Shaw finds himself at odds with his work. This quote reveals a combination of rivalry, frustration, and an assertion of individuality in the realm of literary creation, highlighting how an author's self-perception can shape their views on others' accomplishments.
In practice
In a literary discussion, one might quote Shaw to ignite debate about the merits of classic authors.
What we want is to see the child in pursuit of knowledge, and not knowledge in pursuit of the child.
Marriage is good enough for the lower classes: they have facilities for desertion that are denied to us.
Forgive him, for he believes that the customs of his tribe are the laws of nature!
Those who talk most about the blessings of marriage and the constancy of its vows are the very people who declare that if the chain were broken and the prisoners left free to choose, the whole social fabric would fly asunder. You cannot have the argument both ways. If the prisoner is happy, why lock him in? If he is not, why pretend that he is?
Treat a friend as a person who may someday become your enemy; an enemy as a person who may someday become your friend.
The happiness of credulity is a cheap and dangerous quality.
All the world knows me in my book, and my book in me.
We read Charlotte Bronte not for exquisite observation of character - her characters are vigorous and elementary; not for comedy - hers is grim and crude; not for a philosophic view of life - hers is that of a country parson's daughter; but for her poetry. Probably that is so with all writers who have, as she has, an overpowering personality, so that, as we say in real life, they have only to open the door to make themselves felt.
Certainly 'The Judgment of Paris' was the novel in which I found my own voice.
It was a great place to write a novel about book burning, in the library basement.
The novel that an author writes is often not the novel that the reader reads, and most of the 'messages' in a novel are put there by the reader. There's nothing wrong with that, of course. That's how literature functions.
The great thing about a short story is that it doesn't have to trawl through someone's whole life; it can come in glancingly from the side.
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