Sometimes our connection is frayed, it is in danger, it seems almost lost. Views and streets deny knowledge of us, the air grows thin. Wouldn't we rather have a destiny to submit to, than, something that claims us, anything, instead of such flimsy choices, arbitrary days?
As soon as a man and woman of almost any age are alone together within four walls it is assumed that anything may happen. Spontaneous combustion, instant fornication, triumph of the senses. What possibilities men and women must see in each other to infer such dangers. Or, believing in the dangers, how often they must think about the possibilities.
Interpretation
What this quote means
The quote explores the assumptions and expectations surrounding the dynamics between men and women when they are alone together.
Alice Munro reflects on the inherent tensions and possibilities that arise when men and women find themselves alone in a confined space. The quote suggests that society often assumes that this situation will lead to an exploration of desires and instincts, revealing both the dangers and the intriguing possibilities that exist in male-female interactions. It provokes thought about the way perceptions and expectations influence relationships and how people can be driven by both attraction and fear.
Themes
In practice
Example use cases
During a discussion on gender dynamics, this quote could highlight the societal assumptions we make about men and women.
More from Alice Munro
All quotes βI was amazed as people must be who are seized and kidnapped, and who realize that in the strange world of their captors they have a value absolutely unconnected with anything they know about themselves.
Anecdotes don't make good stories. Generally I dig down underneath them so far that the story that finally comes out is not what people thought their anecdotes were about.
I just believed it easily, the way you might believe and in fact remember that you once had another set of teeth, now vanished but real in spite of that. Until one day, one day when I may even have been in my teens, I knew with a dim sort of hole in my insides that now I didn't believe it anymore.
You want in all cases for the story to get through the writing.
A story is not like a road to follow... it's more like a house. You go inside and stay there for a while, wandering back and forth and settling where you like and discovering how the room and corridors relate to each other, how the world outside it altered by being viewed from these windows.
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I have a rotten habit of picturing the bedroom scenes of my friends.
Find one thing every day to forgive the other person for. Don't let them know what it is...just forgive them and let it go.
When I did the original research for 'Odd Girl Out,' I asked every bullied girl I interviewed to tell me what she needed most from her family. The answer truly surprised me. It wasn't having the best solutions, calling the school, or trying to act like everything was okay. It was empathy.