The common idea that success spoils people by making them vain, egotistic and self-complacent is erroneous; on the contrary it makes them, for the most part, humble, tolerant and kind.
W. Somerset MaughamRead
If you can tell stories, create characters, devise incidents, and have sincerity and passion, it doesn't matter a damn how you write.
Interpretation
The essence of storytelling lies in the authenticity and emotional impact rather than in technical precision.
W. Somerset Maugham emphasizes that the heart of writing is the ability to convey sincere and passionate stories through compelling characters and incidents. This suggests that while writing style may vary, the genuine connection and creativity behind the storytelling are what truly resonate with the audience.
In practice
During a creative writing workshop, this quote can be used to encourage aspiring writers to focus on their passion for storytelling rather than their technical skills.
The common idea that success spoils people by making them vain, egotistic and self-complacent is erroneous; on the contrary it makes them, for the most part, humble, tolerant and kind.
Cronshaw stopped for a moment to drink. He had pondered for twenty years the problem whether he loved liquor because it made him talk or whether he loved conversation because it made him thirsty.
Are you sure you can prevent yourself from falling in love one of these days? Such things do happen, you know, even to the most prudent men.' Simon gave him a strange, one might even have thought a hostile, look. I should tear it out of my heart as I'd wrench out of my mouth a rotten tooth.
I don't think of the past. The only thing that matters is the everlasting present.
The world is quickly bored by the recital of misfortune, and willing avoids the sight of distress.
There in the mist, enormous, majestic, silent and terrible, stood the Great Wall of China. Solitarily, with the indifference of nature herself, it crept up the mountain side and slipped down to the depth of the valley.
I want to be an improviser, and I've worked very hard at that. It's an art. You don't just play whatever comes into your head; you have to be very deliberate about what you do.
Theatre has nothing to do with buildings or other physical constructions. Theatre - or theatricality - is the capacity, this human property which allows man to observe himself in action, in activity. Man can see himself in the act of seeing, in the act of acting, in the act of feeling, the act of thinking. Feel himself feeling, think himself thinking.
...in my dreams the world would come alive, becoming so captivatingly majestic, free and ethereal, that afterwards it would be oppressive to breathe the dust of this painted life.
Nobody really needs a painting. It's something you kind of create value for in a way that you don't with a company. It's an act of collective faith what an object is worth. Maintaining that value system is part of what a dealer does, not just making a transaction but making sure that important art feels important.
I always give the example, if you turn on the radio today, black radio, Lenny Kravitz is not black. Bob Marley wasn't black: in the beginning, only white college stations played Bob Marley.
Like a cartoon world, where the figures are flat and outlined in black, jerking through some kind of goofy story that might be real funny if it weren't for the cartoon figures being real guys.
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