My father was a man of love. He always loved me to death. He worked hard in the fields, but my father never hit me. Never. I don't ever remember a really cross, unkind word from my father.
Johnny CashRead
I love to go to the studio and stay there 10 or 12 hours a day. I love it. What is it? I don't know. It's life.
Interpretation
The quote expresses a deep passion for creativity and the unknown joys of life.
Johnny Cash reflects on his love for spending long hours in the studio, emphasizing that the experience is fulfilling and essential to his life. He acknowledges that while the specific nature of his passion is unclear, the act of creating and immersing himself in art brings profound satisfaction.
In practice
During a speech at an art exhibit, one might use this quote to highlight the dedication artists have to their craft.
My father was a man of love. He always loved me to death. He worked hard in the fields, but my father never hit me. Never. I don't ever remember a really cross, unkind word from my father.
I start a lot more songs than I finish, because I realize when I get into them, they're no good. I don't throw them away, I just put them away, store them, get them out of sight.
Six foot six he stood on the ground He weighed two hundred and thirty-five pounds But I saw that giant of a man brought down To his knees by love
That was the big thing when I was growing up, singing on the radio. The extent of my dream was to sing on the radio station in Memphis. Even when I got out of the Air Force in 1954, I came right back to Memphis and started knocking on doors at the radio station.
There's no way around grief and loss: you can dodge all you want, but sooner or later you just have to go into it, through it, and, hopefully, come out the other side. The world you find there will never be the same as the world you left.
If you aren't gonna say exactly how and what you feel, you might as well not say anything at all.
Our utilitarian structures will mature into architecture only when, through their fulfillment of function, they become carriers of the will of the age.
As a composer at a point where I can absolutely pick and choose what I want to do, I don't want to write about anybody I don't care about.
The arts and inventions of each period are only its costume, and do not invigorate men.
Chaplin and Keaton are still the best. They know that there is nothing more serious than laughter, an art demanding infinite work, and that as long as the world revolves, making others laugh is the most splendid of activities.
The painter must enclose himself within his work; he must respond not with words, but with paintings.
When you're writing, in theory, everybody is serving you. When you're directing, you're serving everybody - in the guise of acting like everybody's serving you. But you're really serving the materials. You're serving the actors. You're in charge, but it's not free.
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