If you have the guts to be yourself, other people'll pay your price.
John UpdikeRead
The substance of fictional architecture is not bricks and mortar but evanescent consciousness.
Interpretation
Fictional architecture is built on ideas and perceptions rather than physical materials.
John Updike suggests that the essence of fictional architecture lies in the experiences and emotions it evokes rather than its tangible components. This implies that art, especially in literature and imagination, transcends physical structures to capture the fleeting nature of human consciousness and thought, reflecting how we relate to and interpret our surroundings.
In practice
In a discussion about the role of imagination in storytelling, one could introduce this quote to emphasize the power of perception in art.
If you have the guts to be yourself, other people'll pay your price.
Dost thou love life? Then do not squander time, for that's the stuff life is made of. _x000D_ _x000D_ Suspect each moment, for it is a thief, tiptoeing away with more than it brings.
Museums and bookstores should feel, I think, like vacant lots - places where the demands on us are our own demands, where the spirit can find exercise in unsupervised play.
But it is just two lovers, holding hands and in a hurry to reach their car, their locked hands a starfish leaping through the dark.
The reader knows the writer better than he knows himself; but the writer's physical presence is light from a star that has moved on.
To guarantee the individual maximum freedom within a social frame of minimal laws ensures - if not happiness - its hopeful pursuit.
I remember the first time I went to the Los Angeles County Museum of Art and saw a Kerry James Marshall painting with black bodies in it on a museum wall... It strengthened me on a cellular level.
Sometime let gorgeous Tragedy In sceptred pall come sweeping by, Presenting Thebes, or Pelops' line, Or the tale of Troy divine.
One must act in painting as in life, directly.
I could no more define poetry than a terrier can define a rat.
I think that cars today are almost the exact equivalent of the great Gothic cathedrals: I mean the supreme creation of an era, conceived with passion by unknown artists, and consumed in image if not in usage by a whole population which appropriates them as a purely magical object.
When I was young, I struggled with authorship: with everything the word meant and failed to mean. Irish poetry was heavy with custom. Sometimes at night, when I tried to write, a ghost hand seemed to hold mine. Where could my life, my language fit in?
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