The Poor Man whom everyone speaks of, the Poor Man whom everyone pities, one of the repulsive Poor from whom charitable souls keep their distance, he has still said nothing. Or, rather, he has spoken through the voice of Victor Hugo, Zola, Richepin. At least, they said so. And these shameful impostures fed their authors. Cruel irony, the Poor Man tormented with hunger feeds those who plead his case.
Seeking what is true is not seeking what is desirable.
Interpretation
What this quote means
This quote emphasizes the distinction between truth and desire, suggesting that the pursuit of truth may not align with what we wish to believe or attain.
In this quote, Albert Camus highlights the philosophical struggle between the pursuit of truth and the naturally human inclination towards seeking out what we find desirable or comforting. He suggests that understanding and accepting reality often requires confronting uncomfortable truths, rather than allowing our desires to dictate our perceptions of what is true. This notion challenges people to prioritize authenticity and honesty over the allure of convenience or pleasure.
Themes
In practice
Example use cases
In a debate on ethics, one might quote Camus to stress the importance of facing uncomfortable truths over pandering to popular beliefs.
More from Albert Camus
All quotes βThe certainty of a God giving meaning to life far surpasses in attractiveness the ability to behave badly with impunity. The choice would not be hard to make. But there is no choice and that is where the bitterness comes in. The absurd does not liberate; it binds.
Between history and the eternal I have chosen history because I like certainties. Of it, at least, I am certain, and how can I deny this force crushing me.
Don't wait for the last judgment - it takes place every day.
A single sentence will suffice for modern man. He fornicated and read the papers. After that vigorous definition, the subject will be, if I may say so, exhausted.
At times I feel myself overtaken by an immense tenderness for these people around me who live in the same century.
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It is interesting ... how weapons reflect the soul of the maker.
Panic is rare, looting is essentially insignificant, people are not terrified and trampling each other to flee from a disaster scene, but in fact are trying to manage a situation. We may in fact revert to some sort of primordial civility.
It is the Late city that first defies the land, contradicts Nature in the lines of its silhouette, denies all Nature. It wants to be something different from and higher than Nature. These high-pitched gables, these Baroque cupolas, spires, and pinnacles, neither are, nor desire to be, related with anything in Nature. And then begins the gigantic megalopolis, the city-as-world, which suffers nothing beside itself and sets about annihilating the country picture.