I never said the camera was truth. It is, however, a more accurate and more objective way of seeing.
I don't want the viewer to be able to peel away the layers of my painting like the layers of an onion and find that all the blues are on the same level.
Interpretation
What this quote means
Chuck Close emphasizes the complexity and depth in his artwork, suggesting that viewers should experience multiple layers of meaning.
In this quote, Chuck Close articulates his desire for his paintings to have depth and complexity, so that viewers are engaged in a multifaceted experience rather than simply identifying uniform colors or elements. He uses the metaphor of an onion to illustrate that he wants each layer of his work to offer something unique and intricate, encouraging viewers to explore and interact with the art, rather than reducing it to its simplest components.
Themes
In practice
Example use cases
This quote can be used during an art exhibition to explain the thought process behind a complex painting.
More from Chuck Close
All quotes βA photograph doesn't gain weight or lose weight, or change from being happy to being sad. It's frozen. You can use it, then recycle it.
The advice I like to give young artists, or really anybody whoβll listen to me, is not to wait around for inspiration. Inspiration is for amateurs; the rest of us just show up and get to work.
Neurologically, I'm a quadriplegic, so virtually everything about my work has been driven by my learning disabilities, which are quite severe, and my lack of facial recognition, which I'm sure is what drove me to paint portraits in the first place.
Part of the joy of looking at art is getting in sync in some ways with the decision-making process that the artist used and the record that's embedded in the work.
Losing my father at a tender age was extremely important in being able to accept what happened to me later when I became a quadriplegic.
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The creator of the new composition in the arts is an outlaw until he is a classic.
Cartooning is about deconstruction: you gotta tear something down to make a joke.
The events of human life, whether public or private, are so intimately linked to architecture that most observers can reconstruct nations or individuals in all the truth of their habits from the remains of their monuments or from their domestic relics.
And all who heard should see them there, And all should cry, Beware! Beware! His flashing eyes, his floating hair! Weave a circle round him thrice, And close your eyes with holy dread, For he on honey-dew hath fed, And drunk the milk of Paradise.