When analytic thought, the knife, is applied to experience, something is always killed in the process.
Robert M. PirsigRead
The way to see what looks good and understand the reasons it looks good, and to be at one with this goodness as the work proceeds, is to cultivate an inner quietness, a peace of mind so that goodness can shine through.
Interpretation
Cultivating inner peace allows one to appreciate and understand beauty in art and life.
In this quote, Robert M. Pirsig emphasizes the importance of inner tranquility in recognizing and appreciating beauty, both in art and in our lives. He suggests that through achieving peace of mind, one can allow goodness and artistic quality to emerge and be fully appreciated during the creative process.
In practice
This quote can be shared in an art class to inspire students to find peace in their creative process.
When analytic thought, the knife, is applied to experience, something is always killed in the process.
The Buddha resides as comfortably in the circuits of a digital computer or the gears of a cycle transmission as he does at the top of a mountain.
It's better not to see than to see wrongly.
The truth knocks on the door and you say, go away, I'm looking for the truth, and it goes away. Puzzling.
You want to know how to paint a perfect painting? It's easy. Make yourself perfect and then just paint naturally.
This inner peace of mind occurs on three levels of understanding. Physical quietness seems the easiest to achieve, although there are levels and levels of this too, as attested by the ability of Hindu mystics to live buried alive for many days. Mental quietness, in which one has no wandering thoughts at all, seems more difficult, but can be achieved. But value quietness, in which one has no wandering desires at all but simply performs the acts of his life without desire, that seems the hardest.
As Daenerys Targaryen rose to her feet, her black hissed, pale smoke venting from its mouth and nostrils. The other two pulled away from her breasts and added their voices to the call, translucent wings unfolding and stirring the air, and for the first time in hundreds of years, the night came alive with the music of dragons.
IN ANSWER TO THE QUESTION: WHAT SCENES ONE WOULD LIKE TO HAVE FILMED Shakespeare in the part of the King's Ghost. The beheading of Louis the Sixteenth, the drums drowning his speech on the scaffold. Herman Melville at breakfast, feeling a sardine to his cat. Poe's wedding. Lewis Carroll's picnics. The Russians leaving Alaska, delighted with the deal. Shot of a seal applauding.
"But that's the price we have to pay for stability. You've got to choose between happiness and what people used to call high art. We've sacrificed the high art.
Just give a drum roll, announce my name & I come out & sing. I have a contract that says I'm a singer. So I sing.
You say a new era in art is preparing; you sensed it coming; continue your studies without weakening. God will do the rest.
I like the thought that what we are to do on this earth is embellish it for its greater beauty, so that oncoming generations can look back to the shapes we leave here and get the same thrill that I get in looking back at theirs - at the Parthenon, at Chartres Cathedral.
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