Never boss people around. It's more important to click with people than to click the shutter.
Alfred EisenstaedtRead
The way I would describe a pictorial is that it is a picture that makes everybody say ‘Aaaaah,’ with five vowels when they see it. It is something you would like to hang on the wall. The french word ‘photogenique’ defines it better than anything in English. It is a picture which must have quality, drama, and it must, in addition, be as good technically as you can possible make it.
Interpretation
A great picture evokes a strong emotional response and must possess technical quality and drama.
This quote by Alfred Eisenstaedt emphasizes the essence of a truly captivating photograph. It should not only engage the viewer on an emotional level, prompting a reaction of awe, but it also must exhibit exceptional technical quality and artistic expression, embodying what Eisenstaedt describes as 'photogenique', a term that encapsulates the idea of a picture that resonates deeply with viewers.
In practice
When discussing photography techniques in a workshop.
Never boss people around. It's more important to click with people than to click the shutter.
Today's photographers think differently. Many can't see real light anymore. They think only in terms of strobe - sure, it all looks beautiful but it's not really seeing. If you have the eyes to see it, the nuances of light are already there on the subject's face. If your thinking is confined to strobe light sources, your palette becomes very mean - which is the reason I photograph only in available light.
I dream that someday the step between my mind and my finger will no longer be needed. And that simply by blinking my eyes, I shall make pictures. Then, I think, I shall really have become a photographer.
Retire? Retire from What? Life? I will only retire when I am dead!
I always prefer photographing in available light – or Rembrandt-light I like to call it – so you get the natural modulations of the face. It makes a more alive, real, and flattering portrait.
People will never understand the patience a photographer requires to make a great photograph, all they see is the end result. I can stand in front of a leaf with a dew drop, or a rain drop, and stay there for ages just waiting for the right moment. Sure, people think I'm crazy, but who cares? I see more than they do!
I have a simple life. I mean, you just give me a drum roll, they announce my name, and I come out and sing. In my job I have a contract that says I'm a singer. So I sing.
Why did I write? whose sin to me unknown_x000D_ _x000D_ Dipt me in ink, my parents', or my own?_x000D_ _x000D_ As yet a child, nor yet a fool to fame,_x000D_ _x000D_ I lisp'd in numbers, for the numbers came.
I try to represent specific experiences of specific characters, and that's all I want to try to do. I don't ever try to think about representing a culture, because its impossible, and someone will fault you. And it just doesn't interest me.
What I adore is supreme professionalism. I’m bored by writers who can write only when it’s raining.
Two types of films: those that employ the resources of the theater (actors, direction, etc...) and use the camera in order to reproduce; those that employ the resources of cinematography and use the camera to create
It's important to take bad pictures. It's the bad ones that have to do with what you've never done before. They can make you recognize something you hadn't seen in a way that will make you recognize it when you see it again.
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