I think in some ways, it can do a listener a disservice to explain a song. I think I'd rather leave a little room for people to put themselves in it.
Interpretation
The quote emphasizes the importance of personal interpretation in art, suggesting that explaining a song may hinder the listener's experience.
St. Vincent expresses the idea that music is a form of art that allows listeners to connect with the emotions and meanings in their own unique ways. By not over-explaining a song, she believes that listeners can engage more deeply and form personal connections, allowing them the freedom to find their own meanings and experiences within the music.
In practice
During a music appreciation class, when discussing a song's deeper meaning.
It ought to be considered a great misfortune, not only for individuals, but also for Houses and Congregations, to have everything in conformity with their wishes; to go on quietly, and to suffer nothing for the love of God. Yes, consider it certain that a person or a Congregation that does not suffer and is applauded by all the world is near a fall.
Let us love God my brothers, let us love God. But let it be with the strength of our arms and the sweat of our brow.
It is from your hands that Our Lord, in the person of the sick, seeks relief.
Charity is the cement that unites communities to God and individuals to each other_x000D_ so that he who contributes to the union of hearts in a community_x000D_ binds it indissolubly to God.
We ought to deal kindly with all, and to manifest those qualities which spring naturally from a heart tender and full of Christian charity; such as affability, love and humility. These virtues serve wonderfully to gain the hearts of men, and to encourage them to embrace things that are more repugnant to nature.
However great the work that God may achieve by an individual, he must not indulge in self-satisfaction. He ought rather to be all the more humbled, seeing himself merely as a tool which God has made use of.
It's a constant challenge to get your arrangement and musical expression across to a new audience, especially when you're playing live every night like we are.
The worst time in any writer's life is the two months before publication. ALL writers become mental and pathetic, even those of devout faith, who have some psychological healing to lean up against, and gorgeous lives. All writers think that this time, the jig is up, and they will be exposed as frauds.
The big cop-out would be to accept popularity rather than opting to try to create potent work. It's so easy to do the popular thing, the expected thing, and that's where you start to cheat yourself - and your fans, in the end - because there's an inherent dishonesty in pandering and dishing up what everyone's expecting.
It is to be remembered that all art is magical in origin - music, sculpture, writing, painting - and by magical I mean intended to produce very definite results. Paintings were originally formulae to make what is painted happen. Art is not an end in itself, any more than Einstein's matter-into-energy formulae is an end in itself. Like all formulae, art was originally FUNCTIONAL, intended to make things happen, the way an atom bomb happens from Einstein's formulae.
Things rust, you know, like the heart. My cardiologist said, 'It's a pump; use it - that's the sole advice I've got to give you.' It's the same in playwriting. Don't theorise about it. Do it.
There are only a few notes. Just variations on a theme.
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