I think in some ways, it can do a listener a disservice to explain a song. I think I'd rather leave a little room for people to put themselves in it.
Interpretation
The quote emphasizes the importance of personal interpretation in art, suggesting that explaining a song may hinder the listener's experience.
St. Vincent expresses the idea that music is a form of art that allows listeners to connect with the emotions and meanings in their own unique ways. By not over-explaining a song, she believes that listeners can engage more deeply and form personal connections, allowing them the freedom to find their own meanings and experiences within the music.
In practice
During a music appreciation class, when discussing a song's deeper meaning.
It ought to be considered a great misfortune, not only for individuals, but also for Houses and Congregations, to have everything in conformity with their wishes; to go on quietly, and to suffer nothing for the love of God. Yes, consider it certain that a person or a Congregation that does not suffer and is applauded by all the world is near a fall.
Let us love God my brothers, let us love God. But let it be with the strength of our arms and the sweat of our brow.
It is from your hands that Our Lord, in the person of the sick, seeks relief.
Charity is the cement that unites communities to God and individuals to each other_x000D_ so that he who contributes to the union of hearts in a community_x000D_ binds it indissolubly to God.
We ought to deal kindly with all, and to manifest those qualities which spring naturally from a heart tender and full of Christian charity; such as affability, love and humility. These virtues serve wonderfully to gain the hearts of men, and to encourage them to embrace things that are more repugnant to nature.
However great the work that God may achieve by an individual, he must not indulge in self-satisfaction. He ought rather to be all the more humbled, seeing himself merely as a tool which God has made use of.
Few sensible authors are happy discussing the creative process--it is, after all, black magic.
Dance is not endangered - it will always find a way to express itself.
Middle-earth is our world. I have (of course) placed the action in a purely imaginary (though not wholly impossible) period of antiquity, in which the shape of the continental masses was different.
I always knew that if I was ever going to perform something that I wrote in front of an audience, I was going to do the thing I most like to experience as an audience member, which is to be tricked.
It helps me to learn things in different languages, even if it's just phonetically, and to make myself vulnerable to other audiences by trying to reflect back to them the genius of their own cultures, and to do that, oftentimes, in new jazz settings, new arrangements. It's a way to show respect.
I think I'm a vocal genius, not a musical genius. I like background vocals. I consider myself a voice, not a singer. A voice is a sound, and singing is what you do with that sound.
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