Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
E. M. ForsterRead
What is wonderful about great literature is that it transforms the man who reads it towards the condition of the man who wrote.
Interpretation
Great literature changes readers, aligning them more closely with the experiences and insights of its authors.
E. M. Forster's quote highlights the transformative power of literature, suggesting that when one engages deeply with literary works, they undergo a change that brings them closer to the author's perspective and understanding of the world. This exchange enriches the reader's own life and thoughts, making literature an essential part of personal and intellectual growth.
In practice
During a book club discussion, one might say: 'As E. M. Forster pointed out, great literature transforms us, enabling deeper empathy.'
Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
A poem is true if it hangs together. Information points to something else. A poem points to nothing but itself.
One must be fond of people and trust them if one is not to make a mess of life.
Oxford is Oxford: not a mere receptacle for youth, like Cambridge. Perhaps it wants its inmates to love it rather than to love one another.
The fact is we can only love what we know personally. And we cannot know much. In public affairs, in the rebuilding of civilization, something less dramatic and emotional is needed, namely tolerance.
One person with passion is better than forty people merely interested.
One of the greatest things about writing as a profession is that the words of Tolstoy, Chesterton and Dostoyevsky have lived for a hundred years and are just as powerful today. Their words have changed me just as much as the people I actually met.
For most of human history, 'literature,' both fiction and poetry, has been narrated, not written β heard, not read. So fairy tales, folk tales, stories from the oral tradition, are all of them the most vital connection we have with the imaginations of the ordinary men and women whose labor created our world.
Writers of feminist dystopian fiction are alert to the realities that grind down women's lives, that make the unthinkable suddenly thinkable.
For me, life without literature is inconceivable. I think that Don Quixote in a physical sense never existed, but Don Quixote exists more than anybody who existed in 1605. Much more. There's nobody who can compete with Don Quixote or with Hamlet. So in the end we have the reality of the book as the reality of the world and the reality of history.
Iβve always believed that as an author, I do 50% of the work of storytelling, and the reader does the other 50%. Thereβs no way I can control the story you tell yourself from my book. Your own experiences, preferences, prejudices, mood at the moment, current events in your life, needs and wants influence how you read my every word.
I've read everything Thomas Wolfe ever wrote; my brother and I memorized whole chapters of 'You Can't Go Home Again' and 'Look Homeward, Angel.'
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