Quotes on American

I was undeterred by the danger of traveling as a single American woman through Taliban-governed land. I believed in the stories I wanted to tell, the stories I felt were underreported, and I was convinced that that belief would keep me alive.

My father told me about American democracy. And he said you have to be actively engaged in the political process to make our democracy work. So I've been doing that my entire life. Civil rights movement. The peace movement during the Vietnam conflict. The movement to get an apology and redress for Japanese-Americans.

American power worldwide is at its historic zenith.

There is no reason why an American scholar cannot by himself or herself develop an adequate understanding of another culture. And I don't find any reason to suppose that the birth within a culture automatically confers understanding.

We know so much about the European food story, and we're getting to know about the American food story; but we know so little about the African food story.

American political scions evoke a central contradiction in our thinking. We believe - or say we do - in nurture, not nature. Yet we are comforted by the aristocratic notion that leadership might run in the bloodlines.

American poetry is this country's greatest patrimony. It takes a stranger to see some things clearly. This is one of them, and I am that stranger.

Going to war is a rare experience in American culture, so it's easy for simple notions to gain a lot of weight. The reality is always more complex.

I am honorary President of the American Humanist Society, having succeeded the late, great science fiction writer Isaac Asimov in that utterly functionless capacity. We Humanists behave as well as we can, without any rewards or punishments in an Afterlife.

Long before social media existed, the proto-tweets of advertising had penetrated American popular culture: 'A mind is a terrible thing to waste.' 'Where's the beef?' 'A diamond is forever.' 'Think different.' You'd be hard pressed to find a writer's craft that has more directly influenced the vernacular.

We also can't try to take over and rebuild every country that falls into crisis. That's not leadership; that's a recipe for quagmire, spilling American blood and treasure that ultimately weakens us. It's the lesson of Vietnam, of Iraq - and we should have learned it by now.

It's hard for me to get interested in stories that ignore death, which is what American marketing culture would like to do: pretend that death doesn't exist, that you can buy immortality; just buy these products, and you'll be forever young and happy.

The financial doctrines so zealously followed by American companies might help optimize capital when it is scarce. But capital is abundant. If we are to see our economy really grow, we need to encourage migratory capital to become productive capital - capital invested for the long-term in empowering innovations.

I've been alienating my public since I was 20 years old. When 'American Buffalo' came out on Broadway, people would storm out and say, 'How dare he use that kind of language!' Of course I'm alienating the public! That's what they pay me for.

I'm Asian, so they assumed I'm not an American and that I come from Japan. Restaurants would refuse to serve me, and places would refuse to give you a haircut.

The American dream, what we were taught was, grow up, own a car, own a house. I think that dream's completely changing. We were taught to keep up with the Joneses. Now we're sharing with the Joneses.

I don't feel I was 'born American,' but my homeland was denied to me after the end of World War II, and I craved something I could identify with. When I became a student at Harvard in the 1950s, America very quickly filled the vacuum. I felt I was American, but I think it's more revealing of America how quickly others here accepted me.

Being 'ethnically ambiguous', as I was pegged in the industry, meant I could audition for virtually any role. Morphing from Latina when I was dressed in red, to African American when in mustard yellow, my closet filled with fashionable frocks to make me look as racially varied as an Eighties Benetton poster.

It wasn't until I came to New York and started to see the African American community, but also the Ethiopian community here, and started to eat the food, started to understand the music. I said, you know, I got to go and understand the culture. So me and my sister went.

It is not just shameful for a contemporary American poet to use rhymes, it is unthinkable. It seems banal to him; he fears banality worse than anything, and therefore, he uses free verse - though free verse is no guarantee against banality.

George Bush ran a campaign where he bragged about being an anti-intellectual, dismissing his Harvard and Yale pedigree, pretending he was an American every day, ordinary everyman, and as a result of that, played up his fumbling speech because it signified that he was a good guy. That is deeply and profoundly anti-intellectual.