He is, as you say, a remarkable horse, a prodigious horse, although as you very justly observe, a suspicious and untractable character.
Edgar Allan PoeRead
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He is, as you say, a remarkable horse, a prodigious horse, although as you very justly observe, a suspicious and untractable character.
Firmness of purpose is one of the most necessary sinews of character, and one of the best instruments of success. Without it, genius wastes its efforts in a maze of inconsistencies.
Each of us is meant to have a character all our own, to be what no other can exactly be, and do what no other can exactly do.
The foundation of worship in the heart is not emotional ("I feel full of worship" or "The atmosphere is so worshipful"). Actually, it is theological. Worship is not something we "work up," it is something that "comes down" to us, from the character of God.
I just think that unless you have that cohesiveness in the family unit, the male character tends to become very dominant, repressive and insensitive. So much of this comes also from a lack of education.
I doubt that I could create a character I loathed simply because when a character takes life, it is impossible not to be a little amazed by the phenomenon, and to find that the amazement has something of the quality of delight.
What I perceive in science fiction is that it's more about how everything looks than what's going on, which I think is just difficult if you're an action character. I think they are about character, not about what it looks like.
But mostly they were lies I told; it wasn't my fault, I couldn't remember, because it was as though I'd been to one of those supernatural castles visited by characters in legends: once away, you do not remember, all that is left is the ghostly echo of haunting wonder.
Goodness is about character - integrity, honesty, kindness, generosity, moral courage, and the like. More than anything else, it is about how we treat other people.
I think what's really the most ideal thing is for the player themselves, within their own imagination, to carve out what they view as being the essence of the character.
I love ensemble pieces, I love being a part of the entire tapestry of a piece, but I think character actors do have a lot more fun, and there's a versatility involved that's challenging and fun, to come up to speed and do what's required of you.
Away with that folly that her rights would be detrimental to her character - that if she were recognized as the equal to a man she would cease to be a woman!
To measure the man, measure his heart.
The people are responsible for the character of their Congress.
People find it hard to get their heads around nominating a computer-generated character, but every time you see Gollum on the screen, that's me who is acting up there - even if it is behind a mass of pixels - and it's my voice you hear.
It's a fact, the majority of films in Hollywood are from the male perspective. And the female characters, very rarely do they get to speak to another female character in a movie, and when they do it's usually about a guy, not anything else. So they're very male-centric, Hollywood films, in general. So I think it's incredible that Ned Benson, when I said I'd love to know where she goes, says okay, I'm going to write another film from the female perspective.
What my character is or how many jails I have lounged in, or wards or walls or wassails, how many lonely-heart poetry readings I have dodged, is beside the point. A man's soul or lack of it will be evident with what he can carve upon a white sheet of paper.
Character is a quality that embodies many important traits, such as integrity, courage, perseverance, confidence and wisdom. Unlike your fingerprints that you are born with and can't change, character is something that you create within yourself and must take responsibility for changing
Without reflecting that this is the only moment in which you can study character," said the count; "on the steps of the scaffold death tears off the mask that has been worn through life, and the real visage is disclosed.
I've always been a character actor, although I'm not quite sure what that means. All my scripts are absolutely covered in notes, so any time I say anything - even 'pass the salt' - I have six subtexts, comments on what I really mean when I'm saying that. Maybe that's what gives the impression that I'm saying one thing and thinking something else.
Sometimes you have to go places with characters and emotions within yourself you don't want to do, but you have a duty to the story and as a storyteller to do it.
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