If you care about something enough, it’s going to make you cry. But you have to use it. Use your tears. Use your pain. Use your fear. Get mad. Arnold, get mad.
Sherman AlexieRead
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If you care about something enough, it’s going to make you cry. But you have to use it. Use your tears. Use your pain. Use your fear. Get mad. Arnold, get mad.
Come not, when I am dead, To drop thy foolish tears upon my grave, To trample round my fallen head, And vex the unhappy dust thou wouldst not save. There let the wind sweep and the plover cry; But thou, go by. Child, if it were thine error or thy crime I care no longer, being all unblest; Wed whom thou wilt, but I am sick of Time, And I desire to rest. Pass on, weak heart, and leave me where I lie: Go by, go by.
I felt that I had been happy and that I was happy again. For everything to be consummated, for me to feel less alone, I had only to wish that there be a large crowd of spectators the day of my execution and that they greet me with cries of hate.
NOT, I’ll not, carrion comfort, Despair, not feast on thee; Not untwist—slack they may be—these last strands of man In me ór, most weary, cry I can no more. I can; Can something, hope, wish day come, not choose not to be.
It was lonely on the hill, and cold. And all you could do was keep going. You could scream, cry, and stamp your feet, but apart from making you feel warmer, it wouldn’t do any good. You could say it was unfair, and that was true, but the universe didn’t care because it didn’t know what “fair” meant. That was the big problem about being a witch. It was up to you. It was always up to you.
Two questions form the foundation of all novels: "What if?" and "What next?" (A third question, "What now?", is one the author asks himself every 10 minutes or so; but it's more a cry than a question.) Every novel begins with the speculative question, What if "X" happened? That's how you start.
It's hard to know whether to laugh or to cry at the human predicament. Here we are with so much wisdom and tenderness, and—without even knowing it—we cover it over to protect ourselves from insecurity. Although we have the potential to experience the freedom of a butterfly, we mysteriously prefer the small and fearful cocoon of ego.
We are the same. There is no difference anywhere in the world. People are people. They laugh, cry, feel, and love, and music seems to be the commons denomination that brings us all together. Music cuts through all boundaries and goes right to the soul.
our bones like stems into the sky will forever cry victory
Being a Negro in America means trying to smile when you want to cry. It means trying to hold on to physical life amid psychological death. It means the pain of watching your children grow up with clouds of inferiority in their mental skies. It means having their legs off, and then being condemned for being a cripple.
There's a constant chatter in our house, whether it's giggling or screaming or crying or banging. I love it. I love it. I love it. I hate it when they're gone. I hate it. Maybe it's nice to be in a hotel room for a day - 'Oh, nice, I can finally read a paper.' But then, by the next day, I miss that cacophony, all that life.
If you have no tragedy, you have no comedy. Crying and laughing are the same emotion. If you laugh too hard, you cry. And vice versa.
License they mean when they cry Liberty; For who loves that, must first be wise and good.
Trouble is, we call politics a game, but it isn't one. There is no referee, and the teams make up the rules as they go along. You can't cry foul or offside in politics. Almost anything goes.
I always knew looking back on my tears would bring me laughter, but I never knew looking back on my laughter would make me cry.
So every day So every day I was surrounded by the beautiful crying forth of the ideas of God, one of which was you.
He wanted to cry quietly but not for himself: for the words, so beautiful and sad, like music.
The moment we cry in a film is not when things are sad but when they turn out to be more beautiful than we expected them to be.
High horns, low horns, silence, and finally a pandemonium of trumpets, rattles, croaks, and cries that almost shakes the bog with its nearness ... A new day has begun on the crane marsh. A sense of time lies thick and heavy on such a place ... Our ability to perceive quality in nature begins, as in art, with the pretty. It expands through successive stages of the beautiful to values as yet uncaptured by language.
Bite your lips, little brother...Don't cry. Keep your anger, your hate, for another day, for later. The day will come but not now...Wait. Clench your teeth and wait.
Faith, mighty faith, the promise sees, And looks to God alone; Laughs at impossibilities, And cries it shall be done.
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