I try to make clothes the way Lou Reed does music, with minimal chord changes. It's about giving everything I make a worn, softened feel. It's about an elegance being tinged with the barbaric, the luxury of not caring.
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I try to make clothes the way Lou Reed does music, with minimal chord changes. It's about giving everything I make a worn, softened feel. It's about an elegance being tinged with the barbaric, the luxury of not caring.
I was very intimidated by the visual effects world. But I began to realize that you don't have to know everything. You have to be able to talk about story.
The world, when you look at it, it just can't be random. I mean, it's so different than the vast emptiness that is everything else, and even all the other planets we've seen, at least in our solar system, none of them even remotely resemble the precious life-giving nature of our own planet.
Total oblivion is the fate of almost everything in this world. I'm very likely to suffer that same fate; my work will probably not be remembered, and if any of it is, if any of those novels is fated to be one of those novels that is still being read 50 or 100 years after it was written, I've probably already written it.
Heaven is a state of mind, not a location, since Spirit is everywhere and in everything.
When you become a parent, you leave a lot of things behind and refocus, maybe on how simple life really is and what few things there really are to worry about. And everything else can go by the wayside.
When I was young, I struggled with authorship: with everything the word meant and failed to mean. Irish poetry was heavy with custom. Sometimes at night, when I tried to write, a ghost hand seemed to hold mine. Where could my life, my language fit in?
If you distill the essence of everything, what life is about, every single one of us is given a short moment in time on this planet, and we all have one universal need and desire, and that is to be loved and to love. And to deny that for your own political expediency, I don't want to live in that column. It ain't worth it.
When exploring London, you will come across lots of excitement by chance, so try to take everything in rather than just rushing around to all of the major tourist haunts.
The simple life on the farm was everything to me. Nothing was more relaxing after a long plane flight than to reach the winding driveway that led up to my house. The quiet of the night was more soothing than a sleeping pill.
When I'm writing from a character's viewpoint, in essence I become that character; I share their thoughts, I see the world through their eyes and try to feel everything they feel.
The Olympics meant everything to me. Going through them is like nothing else you will ever experience. For those few weeks, you are in another world. At that point, I couldn't see how there could ever be anything better.
I was lucky: I feel like I've written four books that mean something to me, and one book that means everything to me, and that's 'The Book Thief.'
I once did a radio program with a famous materialist, that is to say a scientist who believed that absolutely everything was physical and that all emotions were reductive to little electrical impulses in your neurons. And I found that I didn't believe that. But what the emotions really are, I don't have an alternative theory.
It took me two years to walk around a chair with ease; it took me another two years to learn how to laugh onstage - and I had to learn everything.
Gravitational waves, because they are so imperturbable - they go through everything - they will tell you the most information you can get about the earliest instants that go on in the universe.
I don't regret any of the places I went in football. Everything gave me an experience or memories that I'll have forever. We had more success in San Francisco, but it was a great time everywhere. I always had fun.
I don't think that science is complete at all. We don't understand everything, and one can see, within science itself, there are many inconsistencies. We just have to accept that we don't understand.
For me, it is freedom, freedom from everything: when I write, I'm not a woman. I'm not a Muslim. I'm not a Moroccan. I can reinvent myself, and I can reinvent the world.
I used to be more involved with every aspect of everything onstage. I'm way more relaxed now. It feels like anything can happen.
If there is one thing I fear less than everything else, it is, I believe, persecution for my opinions. There are a good many points about which I may be diffident, but when it comes to questions of Truth and intellectual independence, there is no holding me - I can envisage no finer end than to sacrifice oneself for a conviction.
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