I love science fiction. There are ways in which this community kept me and my partner alive through some very, very bad years, and I will always acknowledge that.
Nalo HopkinsonRead
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I love science fiction. There are ways in which this community kept me and my partner alive through some very, very bad years, and I will always acknowledge that.
What I felt was, if you spend your life just writing fiction, you are going to falsify your material. And the fictional form was going to force you to do things with the material, to dramatize it in a certain way. I thought nonfiction gave one a chance to explore the world, the other world, the world that one didn't know fully.
You need to read more science fiction. Nobody who reads science fiction comes out with this crap about the end of history
Each book, intuitively sensed and, in the case of fiction, intuitively worked out, stands on what has gone before, and grows out of it. I feel that at any stage of my literary career it could have been said that the last book contained all the others.
For me, choosing between fiction and nonfiction is really only about picking the right tool for the job.
All the definitions people want to put on you in terms of what kind of writer you are come with hidden meanings. If you're writing science fiction, you're writing rocket ships. If you write dystopian fiction, it's inequity where The Man must be fought.
Science fiction frees you to go anyplace and examine anything.
The trouble with writing fiction is that it has to make sense, whereas real life doesn't.
Science fiction was one of those places, particularly during the McCarthy era, where you could write whatever you wanted because it was beneath contempt. They didn't bother censoring it.
If you write fiction, you have to love your characters. It's like your family. You don't have to like them, but you have to love them.
Science fiction writers aren't fortune tellers. Fortune tellers are fakes.
When it comes down to it, the reason that science fiction endures is that it is, at its core, an optimistic genre. What it says at the end of the day is that there is a tomorrow, we do go on, we don't extinguish ourselves and leave the planet to the cockroaches.
Reading fiction is important. It is a vital means of imagining a life other than our own, which in turn makes us more empathetic beings. Following complex story lines stretches our brains beyond the 140 characters of sound-bite thinking, and staying within the world of a novel gives us the ability to be quiet and alone, two skills that are disappearing faster than the polar icecaps.
Science fiction [is] the kind of writing that prepares us for the necessary mutations brought about in society from an ever changing technological world and as a result. The mainstream hasn’t excluded SF; the mainstream has excluded itself. No one told Jules Verne he was a science fiction writer, but he invented the 20th century.
Size matters in fiction, but so does lack of size. Everything else being equal, fat novels tend to be perceived as serious, very thin ones as more honest, more real. Writers address these age-old expectations by filling their big books with philosophy and cramming their little ones with feeling.
The only feeling that anyone can have about an event he does not experience is the feeling aroused by his mental image of that event ... For it is clear enough that under certain conditions men respond as powerfully to fictions as they do to realities.
I'm not a representative of Pakistan; I'm just an example that Pakistanis are different from each other. I believe it in my fiction and I believe it personally.
Physics is often stranger than science fiction, and I think science fiction takes its cues from physics: higher dimensions, wormholes, the warping of space and time, stuff like that.
Why shouldn't truth be stranger than fiction? Fiction, after all, has to make sense.
Prose is admittedly an art rooted in social intercourse, and a fiction writer is faster to find a common denominator with his cell mates than a poet is.
I seem most instinctively to believe in the human value of creative writing, whether in the form of verse or fiction, as a mode of truth-telling, self-expression and homage to the twin miracles of creation and consciousness.
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